07.02.26
REVIEW: SEED TALKS: GOTHIC FICTION AND THE FEMALE WRITER WITH DR MAISHA WESTER
By Nat Up North
Forget everything you’ve ever known about Gothic romance. In the words of Dr. Maisha Wester, “it’s not romance, it’s just gothic!”
Sheff Herd were thrilled to get tickets to the Gothic Fiction and the Female Writer Seed Talk with Dr. Maisha Wester on 22nd January at Sheffield Hallam University. I’d never been to a Seed Talk before - or any kind of lecture theatre since university (a cough number of years ago) - so I wasn’t quite sure what to expect, or even what the format or structure of the event would be.
My expectations were surpassed on so many levels.
Dr. Maisha Wester was brilliant. Opening the lecture with alternative titles such as “Gothic Dating Tips” and “The Terrible Truth Behind Brooding Jackasses,” the talk began on a humorous high and didn’t falter for the entire two hours. Gothic male writers, she explained, often place blame on a female figure (frequently a mother) while Gothic female writers subtly weave the danger behind an attractive male persona into their narratives.
Looking across a wide range of Gothic fiction, including many well-known and well-loved vampires (Edward Cullen, Spike and Angel, Damon and Stefan Salvatore), Dr. Wester delivered an in-depth study of Jane Eyre and Interview with the Vampire, while also drawing in examples from other classics such as Wuthering Heights and The Tenant of Wildfell Hall.
Now, I have never been a fan of Wuthering Heights. I’ve always felt there were no redeeming characters in the book at all (note: my Editor would like to point out that this is my opinion and she does not agree - haha!). I do, however, enjoy a good vampire story and have certainly wondered what it would be like to be one. Don’t pretend you haven’t - of course you have!
In all honesty, the giant red flags some of these characters wave should be obvious. So why do we overlook them? If this weren’t labelled “Gothic romance,” we’d be advising ourselves to run for the hills. Dr. Wester expertly unpicked the horror and danger these characters conceal behind their dashing good looks and spiky personalities.
A lively discussion followed, raising questions such as: Why are we still so attracted to them? (Answer: they’re usually very good-looking, and we instinctively want to “fix” them because we believe we’ll be the one who’s different.) Can Gothic romance provide a safe space to explore hidden desires or alternate paths? Are these simply well-written fictional characters, or are they warning signs? And can Gothic fiction be used to help educate younger generations about healthy boundaries in relationships?
My mind was racing with questions as I left, but I thoroughly enjoyed this introduction to the Gothic genre. It certainly made me reevaluate my reactions to the actions of some of our most beloved gothic characters. However, I won’t be giving up my vampire novels any time soon but remember - appreciating the Gothic drama is one thing; inviting them into real life is quite another!
03.02.26
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Herd the Word Review: To Kill a Mockingbird at The Lyceum Theatre
By Charlotte Sometimes
Some books lodge themselves so deeply in you that they quietly help shape how you see the world. To Kill a Mockingbird is one of those for me. I loved it long before I ever saw it on a stage, and its influence runs deep enough that my child carries Atticus as a middle name. Harper Lee’s novel sharpened my awareness of injustice, of moral courage, of how decency can exist alongside, and sometimes be tested by, deep societal cruelty; issues that are sadly as pertinent today as they were when the novel first emerged in 1960. Walking into Sheffield’s Lyceum for the great Aaron Sorkin’s stage adaptation, I did so with affection, wariness, and high expectations.
Sorkin’s version honours the power of the original while refusing to present it as a museum piece. This is not a reverential retelling designed to reassure. Instead, it interrogates its characters - particularly Atticus Finch - with a modern eye. Atticus here, played brilliantly by Richard Coyle, is still principled, still humane, but no longer untouchable. His flaws are allowed space: moments of hesitation, blind spots shaped by his time and position, and the uncomfortable truth that moral clarity does not always equate to moral completeness. This complexity gives the production much of its strength.
Another of the most compelling presences throughout is Andrea Davy’s Calpurnia, portrayed as both spirited and quietly formidable - the moral compass of the Finch household and, in many ways, of the play itself. Her dignity and clarity cut through the noise of prejudice and posturing, grounding the story in lived experience rather than abstract principle.
The children - so often the emotional core of Mockingbird - are beautifully realised. Jem, superbly played on this occasion by an understudy (Jonathan Rubin), was superb: emotionally truthful, physically assured, and deeply affecting as the character’s innocence begins to fracture. Dill, in all his vulnerability and yearning, was sheer enchantment - a standout performance by Dylan Malin that captured the ache of being young, unseen, and desperate for kindness. Scout, played by Anna Munden, meanwhile, was captivating and wonderful: sharp, curious, and emotionally open, guiding us through the story with warmth and intelligence rather than nostalgia.
And last but not least, Aaron Shosanya’s Tom Robinson was magnetic – dignified, reserved when necessary and completely heartbreaking but with a subtly that only increased the devastation of his part.
The staging of the production is masterful and dynamic throughout too - testament to a cast and crew that really understand how to be a team.
What ultimately makes this production work so well is its balance. It respects the novel’s profound emotional legacy while allowing its themes - injustice, empathy, and the limits of righteousness - to feel alive and very real. This To Kill a Mockingbird does not ask us simply to admire Atticus Finch; it asks us to look harder at the world he inhabits, and at our own.
The result is a powerful, thoughtful evening of theatre - one that honours a beloved book while refusing to let its lessons become comfortable.
To Kill a Mockingbird runs at Sheffield Lyceum until 7th February
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Herd the Word
EVENT OF THE WEEK w/c 2nd February 2026
World of Sheds returns for its second season with more off-the-wall comedy, eccentric characters and improvised chaos from Thorpe Hesley’s premier shed showroom and garden centre.
Stanley Norman, the ever-determined regional manager of World of Sheds, is back alongside his unforgettable team: Keith the intern, Peter the gnome, and Colin Malcolm Arnold, the formidable head of security. After surviving last season’s unlikely challenges: including an archaeological dig led by Tony Robinson, a hostile takeover by the mysteriously named Mr Not So Easy Jet, giant woodworms, and even an orphaned arsonist bent on destroying every shed in sight - the staff are ready to face whatever absurdity comes next.
This new season promises fresh storylines, bigger mishaps and plenty of audience-fuelled surprises, with a brand-new episode written and performed live the first Tuesday of each month. The show features the talents of Stan Skinny, Stewart Lodge, Paigan Gibbons, Rob Jones and George Critchley. Expect improvised comedy, quirky characters and an evening that proves no shed is ever just a shed.
Season Two, Episode One takes place on Tuesday 3rd February at Alder Bar, Sheffield and tickets are available here
29.01.26
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Herd the Word Review: Quiet in the Wings
By Charlotte Sometimes
Rurik Seven’s Quiet in the Wings opened last night at Sheffield’s oldest theatre The Lantern. The play begins in the wings of a theatre on the brink of opening night and immediately enjoys the meta joke that this is a play about a play, set precisely when things are most likely to go wrong.
Nerves are frayed, egos are polished, and the unthinkable happens: the leading man, a famous actor no less, has gone missing. Thankfully, this is precisely where life stops mirroring art. While the fictional production teeters on the brink of catastrophe, the real one - performed with fizz and precision by Mage Plays and Forge Light Theatre - never puts a foot wrong. As far as we could see, disasters were not just avoided; they were celebrated.
Rurik Seven’s scripting is masterful. This is clearly the work of a very funny writer, with an ear for dialogue that knows how to land a punchline and then happily pile on a few more for good measure. The writing shifts effortlessly from bawdy wordplay to moments of gleeful surrealism to anarchic slapstick, handled with real panache and a sense of mischief. It is bold, generous comedy, unafraid of pushing things just a little too far. The kind of comedy where you can’t really breathe properly at points!
That sense of excess is mirrored in the play’s distinctive, hyperbolic characterisation, which proves to be one of the production’s great delights. These are not subtle people, nor are they meant to be. Each character is drawn big and vivid. It is brilliantly executed by a team of superb actors who throw themselves into the heightened world of the play with total commitment - an ensemble clearly relishing both the scale and silliness of what they are being asked to do.
The cast is uniformly excellent, beginning with Matt Medlock as Jeffrey Trubadour, the director. From the moment he steps onstage, Medlock establishes a gleefully over-the-top scarf wearing presence: cruel to his co-workers, outwardly charming, yet with an acerbic edge that keeps everyone - including the audience - slightly on tenterhooks.
John Ireland’s Sebastian Paris provides the perfect counterpoint as the mysterious understudy who steps into the role of detective, complete in the second act with deerstalker hat and pipe. One of the highlights is a particularly funny scene between Sebastian and Kate Spivey’s Stephanie Appleman, who plays the producer, brimming with Shakespeare play puns (linked to a ferret, naturally) and executed with impeccable comedic timing that had the audience roaring.
Stan Wildish makes a memorable entrance as Benjamin Griffiths, the egotistical American lead actor. Wildish relishes the physical comedy, every exaggerated gesture and expression perfectly matched to the heightened energy of this world.
The French couple double act is sheer genius. Stan Skinny’s Louis Jacques and Paigan Gibbons’ Elise Beaumont are a masterclass in physical comedy and chemistry, bouncing off each other with flawless timing. Their brilliance here is only a taste of what audiences can see in their monthly comedy World of Sheds show at Alder.
Forge Light Theatre’s newcomer Hollie Glossop delivers an absolutely incredible performance as the alcohol-dependent Beatrice De’Winters. Her comic timing, expressive facial work, and vocal dexterity shine in a particularly hilarious scene involving an astonishingly inventive list of euphemisms, making her a standout in the ensemble.
Another double act that sparkled in tandem were Helen Denning’s long-suffering assistant Belle Bean and Zoe Bloss’ Elizabeth McArthur. Denning and Bloss play a collusion scene with deft subtlety and hilarity, perfectly balancing secretive scheming with outright comedy.
Finally, the second half welcomed Ryan Pugh as the pirate techie Dickens McHiggins, whose love of rigging is matched only by his lightning-fast repartee. Pugh’s timing is impeccable, delivering rapid-fire lines that land (hard) every time and adding a perfect finishing flourish to the ensemble’s brilliance.
In short, Quiet in the Wings is a triumph from start to finish. Rurik Seven’s sharp, playful writing and assured direction (along with Assistant director Lucy Bytheway) provide the perfect springboard for a cast that delights in every absurdity. From the over-the-top egos to the gleefully hyperbolic antics, each performer finds their moment to shine. With the Lantern completely sold out, it’s clear that audiences are just as eager to celebrate this clever, riotously funny farce as the cast is to perform it and, for anyone lucky enough to see it, the night is one to remember!
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Herd the Word
EVENT OF THE WEEK w/c 26th January 2026
On Saturday 31st January at 2pm Sheffield Central Library will host a poetry event featuring Otis Mensah and Danaé Wellington as part of the National Year of Reading launch. This session brings together two distinct contemporary voices, both rooted in performance as well as the written word and their work will be available to purchase on the day.
Otis Mensah is a Sheffield‑born poet and spoken‑word artist known for blending hip‑hop and jazz‑inflected rhythms with poetry. They were the first Poet Laureate of Sheffield, an appointment that highlighted their work in expanding what poetry can sound and feel like in the city. Mensah’s writing and performance explore themes of identity, emotion and community, and they have taken their work to major stages including Glastonbury and other UK festivals. Their debut poetry collection Safe Metamorphosis reflects this blend of introspection and rhythmic expression.
Danaé Wellington is a Jamaican‑British poet, performance artist and cultural producer who served as Sheffield Poet Laureate in recent years. Her poetry frequently engages with heritage, Black identity and lived experience, often drawing on music, performance and narrative traditions as much as written verse. Wellington has performed widely at literary festivals and events across the UK and has been published in multiple anthologies. Her work reflects both personal reflection and broader cultural histories, bringing storytelling and poetic craft together in performance settings.
This reading promises a range of poetic styles - from rhythmic, hip‑hop‑influenced spoken word to reflective pieces rooted in lived experience -forming a lively artistic start to the year’s reading celebrations.
Images by Sophie O'Connor
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Herd the Word
Preview: Forge Light Theatre presents Quiet in the Wings
Preview by Charlotte Sometimes
Following their last production, Sheff Herd reviewed the fantastic punk-infused take on the Jacobean classic The Roaring Girl - Forge Light Theatre returns with a new theatrical delight. This time, they’ve joined forces with Mage Plays to bring you Quiet in the Wings by Rurik Seven, a force of farce that exposes the chaotic backstage world like no other.
Dennis Le’Claire, the so-called ‘World’s Greatest Actor,’ is missing on opening night - every theatre production’s worst nightmare! Just when all seems lost, Sebastian Paris, the ‘World’s Greatest Understudy,’ swoops in to save the day. But appearances can be deceiving, and whispers of foul play begin to spread. Peek behind the curtain to meet scheming stagehands, devious directors, and preposterous playwrights in a hilarious whirlwind of backstage antics.
Forge Light Theatre, a Sheffield-based collective passionate about grassroots theatre, and Mage Plays, known for their original works and over-the-top characters, combine forces to turn the theatre inside out. Quiet in the Wings blends the unseen chaos of live performance with melodrama and farcical comedy, giving audiences a glimpse of everything that happens before the curtain rises. Expect laughter, surprises, and a backstage world turned upside down!
Catch it at The Lantern Theatre on 28th, 29th, and 31st January.
Tickets are selling fast but currently available here
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Herd the Word
EVENT OF THE WEEK w/c 12th January 2026
On Wednesday 14th January, Turner Prize–winning artist Mark Wallinger comes to the Millennium Gallery for a special evening of conversation, film and audience questions, offering a rare opportunity to hear directly from one of the UK’s most influential contemporary artists.
Wallinger’s career spans more than four decades and encompasses sculpture, film, painting and major public commissions. His work consistently interrogates power, belief, identity and protest, often through familiar symbols drawn from religion, sport, transport and civic life. From Ecce Homo - the first work to occupy Trafalgar Square’s Fourth Plinth - to State Britain, which won the Turner Prize in 2007, and later landmark works such as Writ in Water at Runnymede, Wallinger has reshaped how contemporary art operates in public space.
He will be joined in conversation by Sacha Craddock, a highly respected art critic and curator, former columnist for The Times and The Guardian, long-time chair of Bloomberg New Contemporaries, and an experienced judge of major prizes including the Turner Prize.
The conversation will explore the ideas and social questions that have shaped Wallinger’s practice, with particular focus on his moving-image work. The evening includes screenings of Angel (1997), Threshold to the Kingdom (2000) and The End (2006), alongside discussion of their making, influences and ongoing relevance.
The talk forms part of the programme accompanying New Horizons: Growing Sheffield’s Art Collection, which continues at the Millennium Gallery until Sunday 25th January. The talk is at 6-7:30pm and booking is recommended here
Images by Luise Krumbein and Isabelle Young
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Herd the Word
EVENT OF THE WEEK w/c 5th January 2026
For those who prefer their winter evenings laced with intrigue, dark humour and real-life stories that are stranger than fiction, this one-night return of the Strange Britain Valentine’s True Crime Special offers something genuinely different.
Led by Sheffield-based master storyteller and ghost walk legend Adrian Finney, the show dives into the murkier corners of Victorian Britain, where romance, obsession and scandal often ended in spectacularly grim fashion. Expect tales of doomed affairs, jealousy pushed too far and the hidden worlds that existed beneath respectable society - all delivered with sharp wit and a theatrical edge.
This isn’t just a talk, either. The performance leans heavily into atmosphere and storytelling, making it as entertaining as it is unsettling.
Sheff Herd has seen this show before and can confidently say it’s excellent - engaging, funny, and genuinely gripping from start to finish. Go see the show then read our review
Taking place at Wig & Pen on 9th January, it’s an adults-only evening that works just as well as an alternative date night as it does for true crime fans or lovers of unusual history.
Even better - it is but one get one free on tickets and they are bound to sell out so act fast!
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Herd the Word
Preview: Roots Mbili Theatre presents Kubulaya: Away from Home
Preview by Charlotte Sometimes
Images by Smart Banda
Kubulaya: Away From Home, from Sheffield-based Roots Mbili Theatre, is rooted in extensive research with sub-Saharan African women and men who have migrated to the city. The result is a work that acts as a microcosm for wider social tensions, exploring how inequality, shifting gender roles, identity, faith and community pressures can fracture relationships once families begin navigating life in a new country.
Written and directed by Ugandan-born theatre-maker John Rwothomack, the play emerged from years of observation within his own community. He found that separations were not isolated incidents, but part of a wider pattern. In conversations with a Sheffield pastor, Rwothomack was told that 98 per cent of the couples he had counselled following migration did not stay together - a statistic that underpins the urgency of the work.
Set in Sheffield on the 17th birthday of Ntanda, the story centres on a Zambian family brought together under one roof. Ntanda, played by Akuc Bol, is joined by her mother Vera (Anni Domingo), a busy nurse; her father Nelson (Mensah Bediako), a care worker mourning the loss of his former life as a businessman; and her older brother Mulenga (Ivan Oyik), home from university. What begins as a familiar family gathering of gifts and games slowly unravels, building towards a shocking admission that threatens to change everything.
Audiences are positioned as unseen observers as the family’s strained bonds are exposed, watching closely as the question of whether they will remain together hangs in the balance. Rather than offering neat resolutions, the play invites conversation around experiences that are often kept private, reflecting broader societal realities in which divorce remains widespread yet rarely openly discussed.
The production also features original music by prominent Zambian musician James Sakala, whose compositions transition the play between scenes in the tradition of African storytelling. The final version of the show will comprise nine scenes, inspired by the nine wedding traditions of Zambia’s Bemba culture.
Kubulaya: Away From Home receives a debut sharing of its first five scenes at Sheffield Theatres’ Playhouse on Wednesday, January 14th at 7pm. Tickets are available on a pay-what-you-decide basis, from £5.
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Herd the Word
EVENT OF THE WEEK w/c 15th December 2025
Get ready to wrap up 2025 with an evening dedicated to the city’s vibrant writing community at The Writers Workshop End of Year Celebration. This free literary event brings together word-lovers, creators, and storytellers to reflect on a year of creative accomplishment and look ahead to what’s next.
The heart of the celebration is a bumper open-mic session and everyone is invited to take part. If you’ve written something you’re proud of over the past year, you can share an excerpt of your favourite piece from 2025 with a live audience. For those who want to read, there are dedicated open-mic tickets available, with each slot lasting around three minutes. Spots are limited, so signing up early or joining the reserve list is recommended.
Beyond the readings, the night will offer a peek at what’s in store for 2026, with organisers announcing upcoming activities and plans for the Writers Workshop community. Whether you’re a published author, an emerging voice, or someone simply curious about the craft of writing, it’s a great chance to connect with fellow writers, celebrate progress, and get inspired for the year ahead.
Attendance is free, though donations are welcome and help support the Workshop’s mission to expand access to creative writing opportunities across Sheffield.
13.12.25
REVIEW: MARK WATSON @ STEAMWORKS
By Helen Mort
On a storm-swept winter Sunday, I was glad to be snug inside The Steamworks watching comedian and Taskmaster regular Mark Watson on the final gig of his ‘Before It Overwhelms Us’ tour. As someone familiar with the concept of ‘overwhelm’ (and who isn’t by December), I was curious about what the ‘it’ might refer to.
I went to the gig with a close friend who is also a childhood friend of Mark’s, so we loitered in the bar with him beforehand sharing wine. I was impressed by Mark’s composure just moments before kick-off, his willingness to chat, his apparent lack of nerves. He had some Sheffield comedians on the guest list and was eager to make sure they got in ok and were looked after.
It was a full house. When the lights dimmed, Steamworks staff transformed the room by drawing curtains on the bar area. All focus was on the spotlit stage. But Mark Watson wasn’t up there! He appeared in the audience, speaking without a microphone, introducing the show. We were all nicely wrongfooted. He slowly made his way to the front, chatting with people as he went, joking about whether he’d be athletic enough to climb up onto the raised platform.
The first half mostly concerned itself with middle age and misadventure: Mark’s recent gig hosting the British Meat Management Awards (yes, that is a thing), his fear of flying, getting into a stranger’s car thinking it was an Uber… Mark riffed on themes of control and the loss of it, the delightfully fallible nature of humans. There was a hilarious section about a turbulent plane landing in Australia. Laughter moved round the room in a kind of Mexican wave. My abs ached by the time the interval arrived.
During the break, Mark met a woman from Australia who had just qualified as a pilot. What were the chances? I watched them share plane stories, suspecting this to be the kind of brilliant coincidence that happens to someone like him all the time: a defining feature of Watson’s comedy is how alive he is to everyday surrealism.
In the second half, the theme of the show became more apparent, but in a nonchalant, un-forced kind of way: Mark Watson is king of the artful digression, the focused tangent. He began by sharing Whatsapps from his tech-savvy teenage son, then moved on to recount a dire interaction with someone on the customer service team at Photobox and the horrifying realisation that he was talking to a chat bot. Cue a segue into another one of the main topics of the show – artificial intelligence – and what humanity should do in response to its encroachment.
Via parents’ evenings and online trivia, Watson moved towards a humbling and moving conclusion: we are safe from AI because we are flawed and fallible, because we make mistakes. This is something we should treasure: our innate crapness as human beings. This denouement arrived without the kind of ‘moment of realisation’ tone shift I’ve come to expect from some comedy and spoken word shows: it was matter-of-fact and profoundly moving. Afterwards in the bar, there was a strangely contented atmosphere, a sense that we’d all been released from some latent anxiety.
A fine gig in a fine venue: The Steamworks looks set to be the stage for many more great live entertainment nights in Sheffield in the future. I can’t wait.
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Herd the Word
EVENT OF THE WEEK w/c 8th December 2025
A raucous end-of-year night is on the way, bringing together a sharp lineup from around the region to close the season with a full-throttle burst of live hilarity.
The first half features a curated run of acts including Enid Crutch, Michael Cook, Eppie Brilliant, Darren Dutton, and hosting duties from James Hashem, followed by a wonderfully unpredictable second half where anything can happen and usually does.
It all takes place at The Beatentrack @ Wig & Pen on Tuesday 9th December.
Doors open at 7pm and the fun kicks off at 7:30pm. Guests can also claim 30% off food and 10% off drinks by showing their ticket.
Arriving early is wise - this date fills up fast.
Come finish the calendar with a night that’s rowdy, warm-hearted, and guaranteed to leave you feeling like you earned whatever morning-after chaos follows.
Herd the Word Event Feature: Write to be Heard Book Launch
This week saw the launch of Write to be Heard - a new book authored by anonymous survivors of coercive control and post-separation abuse. The project was created to give people a voice, to raise awareness of the realities of such abuse, and to raise funds for Sheffield-based charity, Mums In Need - a charity which supports mothers who are experiencing post-separation abuse (abuse which takes place after a relationship breaks down).
The Write to be Heard project was developed by a group of local women who raised the funds via Crowdfunder and then employed Beverley Ward - a local author and writing facilitator - to run therapeutic writing workshops for women who are in contact with Mums in Need.
Many women who have experienced domestic abuse are frightened to speak out for fear of reprisals from their abusers and also because there’s an embargo on people who have been in family court speaking out about the trauma they’ve endured. These people are thus denied the healing opportunity that being witnessed can provide. So the project was called Write to be Heard to highlight their plight.
The project believes that these women do have the right to be heard and, through writing and with the buffer of anonymity, it provides a safe way for women to express themselves both for therapeutic purposes and to raise awareness of the issues which often go unnoticed precisely because women feel silenced.
The writing from these workshops, and from other women who contacted the project online, was collated into the book which was launched on Tuesday 25th November (on White Ribbon Day - a day which encourages people to stand up against violence against women and girls) at the Victoria events venue in Neepsend, Sheffield.
At the event there were speeches from Beverley Ward, Heather Chapman (the chair of Mums In Need) and from Karen Roberts of Ridley and Hall solicitors who sponsored the event. Several of the contributors also bravely shared some of the moving pieces from the published book.
The book features writing that covers the early stages of coercive control from love bombing and red flags, through to post-separation abuse and experiences of family court, onto the beginnings of healing. At times it is a difficult read but it is not without hope, because there’s a power in the collective voices who are writing to be heard and in the solidarity that we find here. There’s also the hope that if these voices can reach a wide audience, they can help to bring about much needed change.
The book is only the beginning and there is the ambition, with further funds, to run more workshops with women who have experienced domestic abuse and to publish more books.
If you think you could help, please email: wearewritetobeheard@gmail.com
‘Write To Be Heard: Voices of survivors of coercive control and post-separation abuse’ is now available to buy here on Amazon, with all profits going directly to Mums In Need.
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Herd the Word
EVENT OF THE WEEK w/c 1st December 2025
PYP (Poets Yield Power) presents The S.W.A.P Exhibition, which opened on 28th November at Two & Six, transforming the venue into a vibrant creative hangout where visual art overlaps with poetry, writing and live participation.
The programme continues this week. On Tuesday 2nd December, Warm Words: Writing Workshop takes place at Curzon. This session offers a gentle writing workshop built around prompts and shared reading - a calm, welcoming moment for you to settle into writing, spark ideas and reconnect with your creative voice.
Back at Two & Six, Print Your Passion: Writers Networking Event is on Wednesday 3rd December. It’s an informal evening for writers to mingle, talk about their projects, share work if they wish, and find inspiration or connection with other creatives in the local writing scene.
Also at the exhibition venue, SHALdo’s Writer’s Block is on Thursday 4th December. This workshop invites writers to dive into creative exercises, unblock ideas, and either begin new pieces or refine works-in-progress — all in a friendly and supportive group setting.
Rounding off the week on Friday 5th is Sip & Paint followed by an open mic at Off the Beaten Track from 5:30pm to give you chance to really get creative.
Together, these events bring the S.W.A.P exhibition to life - intertwining art, words and community across several evenings.
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Herd the Word
EVENT OF THE WEEK w/c 24th November 2025
Poetry Sub Club is a warm, friendly, inclusive space (come prepared for no obias/isms), facilitated voluntarily by local poet, Susie Wilson. The next meeting is Wednesday 26th November.
But what is it? A monthly meet-up for anyone interested in exploring poetry magazines and journals. A group of local poets, from beginners to multiply published pros, meet up to explore poetry magazines and journals, looking for good homes for their poems.
Each session begins with a social swap/lend & read, where people bring magazines to enjoy reading them for a while. Take any mags you’d like to swap, but it’s okay to attend without taking anything.
Members also share best advice about trade craft like covering letters, ways to improve writing and, this month, lesser known / more left-field practical ways to get your work ‘out there’. Every month there are Editor’s Tips from a store of correspondence (as the club has run in collaboration with Manchester Poetry Library for a year), inviting editors to share their views, and there’s time to share news of poetry successes & events.
Poetry Sub Club meets on the last Wednesday of the month at the Central Library, 6–7:30pm and it’s free to attend. Book here or just turn up.
Herd the Word Feature: Write to be Heard Book Launch
On October 20th, a powerful new book was released - giving a voice to those silenced by coercive control and post-separation abuse.
Write To Be Heard: Voices of Survivors of Coercive Control and Post-Separation Abuse’ is a collection of writing by survivors. The project was created to give people a voice, to raise awareness of the realities of such abuse, and to raise funds for Sheffield-based charity, Mums In Need.
After raising funds on Crowdfunder, Write To Be Heard invited women supported by Mums In Need to take part in therapeutic writing workshops. Participants, and others affected by coercive control and post-separation abuse, were then invited to submit their poems and prose to be featured in a book. To protect all of those involved, all writing in the book is anonymous (Although writers retain their rights to their own words).
On 25th November, the book will be launched in Sheffield at The Victoria at 6:30 - 8:30pm. You can meet some of those involved in facilitating and editing this extraordinary project, including Beverley Ward (founder of The Writers Workshop), and hear some of the work from the book. Tickets are available here
Write To Be Heard: Voices of Survivors of Coercive Control and Post-Separation Abuse is available to buy at the event or buy here with all profits going to Mums in Need.
The words inside are not always easy to read. Its many voices tell of pain and struggle, but also hope and resilience.
Should you wish to know more about Write To Be Heard, you can contact them @ WeareWriteToBeHeard@gmail.com
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Herd the Word
EVENT OF THE WEEK w/c 17th November 2025
From 19th to 21st November, get ready for a play that blends sharp wit and emotional complexity as SUTCo brings Tom Stoppard’s The Real Thing to the Library Theatre.
This production takes on one of Stoppard’s most celebrated plays: a story that dives into love, loyalty and the delicate art of being truthful, both with others and with ourselves. Centered on a playwright whose personal life begins to echo (and complicate) the work he creates, the play invites audiences into a world where performance and reality constantly overlap.
While the setting may seem domestic and familiar, the emotional stakes run deep. Relationships shift, expectations collide, and characters grapple with what it actually means to be sincere in a world full of pretend. Without giving away the twists built into Stoppard’s clever structure, the play asks you to consider how we decide what’s genuine and whether sincerity is ever as simple as it sounds.
SUTCo’s production promises to highlight the script’s smart humour, its tangled relationships and the poignancy tucked beneath the wordplay. For anyone craving theatre that challenges as much as it entertains, this staging offers a thoughtful, vibrant take on a modern classic.
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Herd the Word
EVENT OF THE WEEK w/c 10th November 2025
On Wednesday 12th November, Sheffield’s Central Library will host Black British Childhoods in Literature: Past and Present, a free event that brings together award-winning author J. T. Williams and leading scholar Professor Karen Sands-O’Connor.
Guided by Dr Aneesh Barai, the discussion looks at how Black British childhoods have been depicted in books across different periods and why these portrayals continue to matter.
Williams, known for her fiction and non-fiction on Black British history, joins Sands-O’Connor, whose research has shaped understanding of Black British children’s literature. Alongside the talk, an exhibition of children’s books curated by Sands-O’Connor will be available in the library foyer during opening hours.
The event begins at 6pm in the Carpenter Room at Sheffield’s Central Library on Surrey Street. It is free to attend, but advance booking here recommended.
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Herd the Word
EVENT OF THE WEEK W.C. 3rd November 2025
Get ready for a dynamic night of music, film and creativity as Slambarz and Pirate Studios present Behind the Bars - a powerful documentary screening and live performance on Friday 7th November at the Showroom Cinema.
This immersive event takes you inside the pressure-cooker world of collaboration, following eight artists and four producers as they’re split into three teams and challenged to create a complete original record in just one day.
After the screening, the cast will take to the stage for an in-depth Q&A, sharing insights into their creative process, challenges, and breakthroughs. The night then builds to a live performance of all three tracks featured in the film — raw, real, and straight from the studio to the stage.
Tickets are £5, offering a unique opportunity to experience the energy, talent and innovation driving Sheffield’s underground music scene. Buy tickets here
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Herd the Word
EVENT OF THE WEEK w/c 20th October 2025
Philosopher Angie Hobbs, Professor of the Public Understanding of Philosophy at the University of Sheffield, will bring ancient ideas to life in her event Why Plato Matters Now on Wednesday 22nd October 2025 at 6pm, held at the Millennium Gallery as part of the Off the Shelf Festival of Words.
In conversation with Dr Joshua Forstenzer, Hobbs will explore how Plato’s thinking still shapes some of the most urgent debates of our time - from democracy and autocracy to fake news, celebrity culture, and what it means to live well. She’ll show how his insights into love, friendship, justice, art and health can guide us toward a more thoughtful, flourishing society.
Known for her warmth and clarity, Hobbs makes philosophy engaging for everyone: whether you’re new to the subject or already captivated by life’s biggest questions.
Expect a lively, intelligent and inspiring evening that proves why Plato’s voice still matters more than two thousand years on.
09.10.25
REVIEW: THE COMPANY PRESENT TITUS ANDRONICUS @ SHEFFIELD UNIVERSITY DRAMA STUDIO
By Charlotte Sometimes
Photography by Mark Todd
Set against the smoky backdrop of 1960s gangland Britain, The Company’s bold new staging of Titus Andronicus reimagines Shakespeare’s bloodiest tragedy in a world of knee-high boots, razor-sharp suits, smouldering whisky bars and gleaming pistols. It’s a smart conceit: one that replaces the ancient Roman battlefield with the shadowy underworld of postwar organised crime, where honour, revenge, and family loyalty are the ultimate currency.
Titus Andronicus (first performed in 1594) is notoriously difficult to stage, not least because of its relentless brutality. Directors Ed Bancroft and Luke Mosley told us before opening night that their aim was to create something “not overly reliant on the gore” but instead to “tap into the deeper themes” of the play: grief, vengeance, misogyny, the corruption of power, and the cyclical nature of violence. These, they argue, remain as piercingly relevant today as they were over four centuries ago.
We won’t give away any spoilers. As the programme wryly notes, they hope you “enjoy” it (and those inverted commas are there for a reason). But what we can say is that we genuinely did. Rather than dwelling on the blood, The Company have crafted a production that looks beyond the shock value, drawing out the tragedy’s psychological and emotional depth and they have assembled a first-rate ensemble to do so.
Adam Booth, as our titular Titus, was compelling from his very first moment on stage. This wasn’t a case of “playing at” Shakespeare; Booth’s performance was raw, authentic, and deeply affecting. His Titus commanded attention not through volume but through presence: a soldier hollowed out by grief, consumed by honour and revenge. As the play unfolded, Booth charted his character’s descent with precision and restraint, striking a delicate balance between horror and humanity. It was both unsettling and moving.
Monica Gallo’s Tamora was equally arresting: brooding, magnetic, and every inch the Queen of the Goths. Gallo brought a sardonic wit and a simmering menace to the role, her presence dominating every scene. Her Tamora was both calculating and charismatic, capable of turning charm into cruelty in an instant. There was a filmic edge to her performance; the kind of poised villainy that might have stepped straight out of a smoky 1960s crime thriller and yet she found real emotional grit beneath the hardened exterior. Her thirst for revenge felt chillingly human, making her both terrifying and captivating to watch.
Alison Mitchell’s Lavinia delivered a performance that unfolded with quiet devastation. What began as innocence and poise evolved into something harrowing, her command of wide-eyed horror and fragile physicality remarkable. The result was a portrayal that was both visceral and psychological: caught somewhere between a classic slasher film’s “Final Girl” and a study in trauma and endurance. The staging and costuming around her heightened this effect, creating an atmosphere that was tense, intimate, and impossible to look away from.
Iona Wilkins gave an outstanding turn as Aaron, blending dark humour with an unnerving charm. Her Aaron was magnetic and malevolent, yet layered with an unexpected humanity. Beneath the cruelty and collapsing morality, Wilkins hinted at the prejudice and marginalisation driving the character’s fury: a subtle but resonant interpretation that gave the role rare complexity. It was a performance that lingered long after the final bow: intelligent, unsettling, and oddly sympathetic.
While these performances stood out individually, this was, above all, a true ensemble production. Mark Kenny’s Saturninus was perfectly pitched; vain, weak-willed, and easily manipulated - a character as recognisable as many leaders of our own time. Alice Ravencroft brought composure and grace to Marcus, Titus’ “sister” offering a measured counterpoint to the surrounding chaos. She embodied the 1960s aesthetic beautifully, her elegance and restraint grounding the production’s stylised world of moral decay.
Jordan Wren (Quintus) and Matthew Blomefield (Martius) captured innocence and vulnerability with real skill, their performances highlighting the futility and human cost of revenge. Amir Ali’s Lucius was commanding and assured, a figure of integrity gradually weighed down by the same cycle of violence he seeks to end, while Andrew Wilkinson’s Bassianus exuded idealism and conviction, making his fate all the more poignant.
Kirsty Lucas (Demetrius) and George Shore (Chiron) were excellent as the sinister siblings - initially providing flashes of darkly comic swagger before that levity was shattered by the horror of their later acts. Meanwhile, Ben Sanderson (Mutius), Nick Smith (Nurse), and Tom Clements (Albarus) delivered nuanced, precise supporting performances that gave texture and cohesion to the world of the play.
This truly was an exceptional realisation of a fiendishly difficult play. Every element, from the pounding 1960s rock soundtrack to the stripped-back set design, felt meticulously crafted. Each creative choice reflected the thoughtful collaboration between Bancroft, Mosley, and their talented company of actors. Titus Andronicus can so easily be overblown or reduced to spectacle, but in the right hands - as evidenced here - it becomes the dark, intelligent masterpiece brought vividly to life. This is an immensely gifted group, and Titus Andronicus is, without question, not one to miss. It runs until October 11th.
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Herd the Word
EVENT OF THE WEEK w/c 13th October 2025
As part of this year’s Off the Shelf Festival of Words, poet Helen Mort presents A House for Jane at the Millennium Gallery on 14th October. The specially commissioned work marks 250 years since the birth of Jane Austen, exploring what a home for the novelist might look like today.
Helen Mort, highly acclaimed local poet, novelist and academic is known for her sharp, intimate writing that captures the landscapes and lives of the North. She will be joined in conversation by another fantastic local poet and author Rachel Bower, whose work often examines women’s voices and literary heritage. Together, they’ll discuss Austen’s continuing influence and how her themes of independence, creativity and belonging still resonate with writers today.
To borrow Austen’s own phrase: “My idea of good company… is the company of clever, well-informed people who have a great deal of conversation.” A House for Jane offers just that - an evening where poetry, literature and imagination gather under one roof.
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Herd the Word
POETRY SPOTLIGHT:
Natalie Ansell (Nat Up North)
Our very own Sheff Herd writer has produced this fantastic poem for National Poetry Day to celebrate Sheffield, featuring photography of the ideas that inspired her work.
Untitled
Nah then, ey up, clean aht tha lugs
Thas not got nowt to fear
Lets me n thee have a chat
Sit thisen dahn theere.
There’s a lorra ‘istory in this tahn
From t’market, t’Ledders, t’Peaks
We’ve got women ‘o steel, oldest football in’t world
I could rattle this stuff off for weeks.
Remember Sat’days at thi nans
Cu’nt be mardy, tha’d get a scutch.
Tha comes from nowt, tha di’nt have owt,
But we really ‘ad so much.
We ‘ad big coats, though we weren’t nesh
And chuffin hell, it got nippy.
Hendos relish – best in’t world
A BREADCAKE from the chippy.
We’rt home of Pulp and Human League
Sean Bean and Pete McKee
‘But Sheffield’s over.’ – is it heck!
Not while th’is thee and me!
In Sheff tha knows it’ll all be reyt
It’s what we’ve allus said.
So be proud of where thas come from
Cos thas Sheffield born ‘n bred!
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Herd the Word
EVENT OF THE WEEK w/c 6th October 2025
On Thursday 9th October, independent book store Novel hosts an intimate evening with author Anna Whitwham. From 7pm, Whitwham will discuss her memoir Soft Tissue Damage, in conversation with Glenn Fisher from The Library of Lazy Thinking.
Soft Tissue Damage explores how Whitwham’s fascination with boxing became more than a sport - it became a lens through which she grappled with loss, pain, and the possibilities (and limits) of the human body. The memoir moves from her early, cautious steps into training, through bruising sparring sessions, into deeper emotional territory as she processes grief over her mother’s death. In Whitwham’s hands, the ring is both a physical arena and a space for inner reckoning.
If you’re drawn to stories about the body, grief, resilience, or the unusual intersections of sport and memoir, this promises to be a quietly powerful evening.
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Herd the Word
Preview: The Company Presents Shakespeare's Titus Andronicus
By Charlotte Sometimes
The Company’s Autumn 2025 production brings one of Shakespeare’s most shocking and rarely performed plays to the stage: Titus Andronicus, adapted and co-directed by Luke Mosley and Ed Bancroft. This new version relocates the blood-soaked Roman tragedy to the shadowy underworld of 1960s gangland Britain, where power, pride, and revenge rule the streets.
Titus, a war-hardened general returning from a decade of brutal conflict, finds himself caught in a fresh battle; this time within his own city. In a bid to uphold Roman law and avenge his fallen sons, he executes the eldest son of Tamora, Queen of the Goths, whom he has taken prisoner. Tamora, now married to the newly crowned Emperor, begins a merciless campaign of revenge against Titus and his family, aided by her surviving sons and the cunning, cruel Aaron.
The production explores themes of justice, grief, and the corrosive nature of vengeance, all set against a backdrop of sharp suits, smoky clubs, and simmering violence. Shakespeare’s original text is preserved but recontextualised, drawing eerie parallels between ancient Rome and the lawless undercurrents of post-war Britain.
Audiences should be aware that the play contains strong scenes of violence and references to sexual assault and racism, which some may find distressing. This is not a play for the faint-hearted but for those willing to confront its brutality, Titus Andronicus offers a gripping, unforgettable theatrical experience.
Performances run from 8th–11th October 2025 at 7:30pm at the Sheffield University Drama Studio, Shearwood Road, S10 2TD.
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Herd the Word
EVENT OF THE WEEK w/c 29th September 2025
Sheffield Libraries invites you to a new series of thought-provoking events exploring the realities of the writing life. Whether you're a writer, reader, or simply curious about how stories come to life, these sessions offer a rare opportunity to hear directly from Northern-based authors and Royal Literary Fund Fellows as they reflect on creativity, discipline, and the everyday challenges of their craft.
The series begins on Thursday 3rd October at 2pm, at Chapeltown Library, with What Does It Really Mean to Be a Writer? Zoe Howe, Paul Adam, and Susan Elliot Wright open up about the emotional and practical sides of writing — from what keeps them going to how they manage when things get tough.
Next, on Tuesday 8th October, doors open at 5:30pm at Central Library for A Day in the Life of a Writer. Susan Elliot Wright, Zoe Howe, and Amanda Dalton explore the elusive nature of a “typical” writing day, sharing their own routines and how they navigate productivity, procrastination, and the pull of everyday life.
Then on Monday 13th October at 6pm, Ecclesall Library hosts Where Do Writers Get Their Ideas? Mark Morris, Caroline Cauchi, and Susan Elliot Wright discuss how inspiration strikes; from fleeting images to memories and how those sparks evolve into stories, poems, and novels.
Finally, on Wednesday 15th October at 2pm, Crystal Peaks Library welcomes Chris Simms, Susan Elliot Wright, and Mark Morris for How the Writing Happens. This session dives into the nuts and bolts of the writing process: drafting, revising, planning vs. improvising, and how writers adapt when things don’t go to plan.
Each event begins with short readings from the Royal Literary Fund’s Vox archive, setting the stage for honest, engaging conversations about the writing life. Whether you're just starting out, deep in your own creative practice, or simply fascinated by how writers work, this series offers insight and inspiration.
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Herd the Word
EVENTS OF THE WEEK w/c 22nd September 2025
This coming week Sheffield is buzzing with words and music, with two standout poetry-infused nights to mark in the diary.
On Wednesday 24th September at 7:30pm, Hagglers Corner hosts Verbal Gerbil: a lively fusion of spoken word, improvised jazz and an ever-surprising line-up that can include comedians, rappers and poets. This month’s headliner is Teah Lewis, a Sheffield-based singer-songwriter whose sun-soaked, soulful originals evoke the spirit of Vashti Bunyan and Joni Mitchell. The evening is steered by comic host Stan Skinny, with live music from Footprints Jazz adding to the atmosphere.
Then, on Friday 26 September, from 8 to 10pm, Hop Hideout at Leah’s Yard opens its doors for an open mic evening. Entry is free, and it’s the perfect chance to enjoy or share poetry, stories and performance in a relaxed setting.
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Herd the Word
EVENT OF THE WEEK w/c 15h September 2025
This month, The Writers Workshop brings another compelling evening of live literature to Sheffield Plate, featuring a special appearance by local writer Adrian Scott. Known for his evocative work that draws deeply from the city’s layered past and personal experience, Adrian will be sharing insights into his creative process and the stories behind his published collections (The Call of the Unwritten; Arriving in Magic; A Night Sea Journey and A Sheffield Traipsing) and audio projects (The Anxious Poet’s Podcast and Grim Up North? with writer Matt Carr)
The evening begins with a relaxed social upstairs from 6:15pm, followed by the main event at 6:45pm downstairs. After Adrian’s segment, the mic opens to new and emerging writers: an opportunity to share work in progress or finished pieces in a welcoming, supportive space.
Whether you're attending to listen, perform, or simply soak up the atmosphere, this promises to be a memorable night of words and connection.
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Herd the Word
EVENT OF THE WEEK w/c 8th September 2025
Sheffield’s Heritage Open Days begin on Friday 12th September, marking the start of ten days where hidden corners of the city are opened up for free. The first day sets the tone with a chance to see the Hawley Collection, which preserves the tools, catalogues and documents that trace Sheffield’s long industrial story. Families can head to Broomhill Library for a hands-on workshop where children design and build their own structures, either from recycled materials or in a Minecraft-inspired digital world.
On Saturday 13th September the programme widens across the city. A guided walk through Stocksbridge traces the history of Samuel Fox and the steelworks that defined the town. In Wincobank, visitors can step inside the chapel founded in the 1840s by campaigner Mary Ann Rawson and then continue on foot to the nearby Iron Age hillfort.
Ecclesfield hosts a photographic exhibition documenting the lives of local families, while in the Loxley Valley the old chapel opens its doors to share the story of a building that has stood for over 200 years.
Architecture fans are well catered for too. The Modernist Society is launching a new walking app with tours that highlight Sheffield’s striking mid-20th-century landmarks, while guided visits to sites like the Old Head Post Office reveal how civic buildings have shaped the city centre. Loxley Cemetery also features early in the programme, offering the chance to explore its history and landscape.
These early highlights are just a snapshot of a festival that runs until 21st September, with more than a hundred events including talks, exhibitions, guided walks and open buildings. It’s an opportunity to see Sheffield from new perspectives, whether through industrial heritage, community history, or the stories told by its architecture.
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Herd the Word
EVENT OF THE WEEK w/c 18th August 2025
The Words Are Coming is a monthly open mic event held at Showroom Cinema Cafe and it returns this Thursday 21st August at 6:30pm.
This evening is for writers of many mediums; poetry, prose, fiction, comics, scripts, plays, and more are welcomed. Please note however that music is not an option a the moment.
The event prides itself on not allowing hate speech or excessively strong language to make it as inclusive and supportive as possible. Furthermore, it is a non-feedback event.
Entry is free and there are 13 performance slots of a 5 minute time limit available. These must be registered by Monday 18th this month but the Monday before subsequent events. To book a slot, email openmic@srws.org.uk with your name and a brief description of what you’d like to perform.
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Herd the Word
EVENT OF THE WEEK w/c 11th August 2025
Join South Yorkshire poet Chivonne Head for the third edition of the uplifting Spoken Word Poetry Meetup at the Writers Workshop.
Taking place on Wednesday 13th August from 6:30-8pm, this event is all about celebrating words, stories, and the courage to share them.
With a background in hosting open mic nights, Chivonne brings warmth, experience, and encouragement to the mic.
Whether you’re a seasoned performer or just beginning to find your voice, this cozy and welcoming gathering is the perfect place to connect, express yourself, and grow in confidence.
Bring a poem, a story, or just your ears - everyone is welcome.
31.07.25
REVIEW: TWO GENERATIONS AT TRAMLINES FESTIVAL 2025
By Beverley Ward
Let me begin by saying that I’m not a lover of festivals but until recently, I’ve never really understood why. Independently, I love all the elements: music and dancing, food, being outdoors, flamboyant outfits. So why do festivals leave me longing for my bed? And why did I commit to three days at Tramlines, knowing it would leave me wrecked? The first answer has crept up on me ever since my eldest child was diagnosed with AuDHD. The second lies in my youngest child’s unrelenting enthusiasm for all things musical. The things we do for love, eh?
They say that when you have a child, the flood of oxytocin is so overwhelming that the pain is immediately forgotten - hence, some people have more children. I think festivals are similar. By the time you’re back to a bath, bed, and the TV, with a phone full of jumpy videos, you’ve convinced yourself you had a good time - and start eyeing next year’s tickets. Or maybe you’re just wondering what to do with two teenagers over summer and figure Tramlines will knock three days off the calendar.
Anyway, buy tickets I did, and so my fourteen-year-old and I duly set off for three days of musical enjoyment/sensory overload—delete as applicable.
In true ADHD style, I didn’t research a thing until Friday afternoon, when I heeded the advice to arrive by public transport. This would’ve been fine if I’d remembered I get zero signal in Hillsborough Park, and that my knowledge of the area is sketchy at best. (Fast forward to 10:15pm: me limping down Middlewood Road with blisters, watching packed trams sail past, wondering how on earth we’d get back to Nether Edge.)
Still, we made it by 2pm, waltzed into the festival, and tried to orient ourselves - which, for me, mostly meant checking every food stall to find sustenance that I’m not intolerant to (just the Mexican stall, in case you’re wondering). Meanwhile, I attempted to download the app to figure out who was playing where while my increasingly fractious teen grew more and more annoyed with me. I then got annoyed with myself when I realised we’d already missed John Shuttleworth and John Cooper Clarke. Not ideal for a poet.
Eventually, we made our way to the main stage and sat with nachos watching Oracle Sisters. The programme described them as “melodic, poetic and visionary” - tick, tick, tick - and we both gradually unwound to their chilled-out festival vibes. The Sheffield writing community was out in force, and I had the usual experience of greeting various literary friends for thirty seconds before being dragged away by my irritated child muttering, “Is there anyone you don’t know?” I chose to take that as a subtle compliment - he actually enjoys my company.
We stayed to watch Baxter Dury pose with a mic stand for a few songs, though we evidently didn’t stick around long enough to appreciate the supposed self-deprecating irony of his performance. I’m 54, and my tolerance for middle-aged men flouncing about with their shirts half-off is limited, I’m afraid...
....The same goes for butt-cheeks on stage but somehow we then found ourselves near The Library Stage for Queer Cxntry where butt cheeks were in fact on full display. They were however accomplished musicians and entertaining to watch, though perhaps not entirely appropriate for my child. Maybe the “X” in the name was a clue as to the lyrical content but I was too busy trying to be a cool LGBTQ+-ally to impress my son to clock that the set probably should have come with a parental advisory warning.
And speaking of partial nudity and profanity - I’ve never seen so many girls in frilly knickers and tiny shorts, nor so many boys in bucket hats adorned with expletives. The display of gender-binary teenage tribes was almost theatrical. As I explained to my son, sensory processing isn’t just about noise and lights: my brain was in overdrive trying to work out if this is modern feminism, as he claims, or if I’m just an old fuddy-duddy...
Back to the music and thank goodness for Pulp, whose art-school eccentricity, lyrical genius, nostalgia, social conscience, and anthemic singalongs united all generations. I nodded along as Jarvis Cocker shared Sheffield stories, remembering my own first gig - The Human League at The Limit, at the same age my son is now - and countless nights surging onto the floor at The Leadmill to “Common People” and “Disco 2000.” Seeing Pulp live in Sheffield, beside my own young misfit, was a proper moment.
By Saturday, I was too knackered to get there early (it had taken two hours to get home the previous night!). We started at The Library Stage; mainly because it was quiet and had hay bales. We caught Josie Wray’s mix of laid-back vibes and funky grooves (have we time-travelled to the seventies?). Then it was over to the Main Sarah Nulty Stage, where I embarrassed my son by singing “I love you, I love you, I love you, I love you” from Natasha Bedingfield straight into his face. Reader, it is not okay.
The boy plays guitar (plus banjo, bass, drums, ukulele, penny whistle etc.) so I figured he’d enjoy Jake Bugg - and he did, though ‘Lightning Bolt’ was the only standout for me. I managed to stay upright for Jake’s set, but by Franz Ferdinand, my hypermobile joints were aching, so I let him head off to the front while I sat at the back with friends and remembered I used to like them back in the 2000s! “Take Me Out” was a crowd favourite and even from afar was a rousing performance.
From then on, the boy led the charge. He calculated that he could catch most of Rizzle Kicks and still make it back for the end of The Reytons. I took one step into the tent at T’Other Stage and was instantly overwhelmed, so I left him bouncing at the front while I perched on the haunted house ride steps. He pronounced this as one of his favourite acts of the weekend.
Later, we hobbled over to The Reytons, where - for once - my writing credentials earned me some kudos when I casually mentioned “I used to know Joe O’Brien when he was in Rotherham Young Writers. We’re Facebook friends”.
They’re often called Rotherham’s answer to Arctic Monkeys, and the crowd gave them a proper almost-homecoming welcome - local lads done good. We stayed for a bit, but the boy wanted to catch the end of Rizzle Kicks. Cue my horrified face - walking another step was agony. I was abandoned (along with his bag) on a picnic bench to wait it out. Thankfully, we’d parked in Lower Walkley this time.
By Sunday, I could barely move so we agreed to a selective approach. His priorities were CMAT and The Last Dinner Party so we attended the middle part of the day. We arrived in time to see The Sherlocks, who put on a solid show, though by that point I was personally done with earnest young men and guitars. I was grateful to spend the rest of the day watching female performers- sadly underrepresented among the festival headliners.
As a writer, I was more intrigued by Luvcat’s backstory (she literally ran away with a Parisian circus!) than her actual music. While I’m not sure she lives up to comparisons with Leonard Cohen, Nick Cave, or The Cure, it was still a fun set.
CMAT was fabulous. I’d never seen her before, though I knew “Take a Sexy Picture of Me,” which the entire crowd belted out. It would’ve been great to see her on the main stage instead of yet another guy with a guitar. Maybe next year.
We ended our festival with the highlight for both of us: The Last Dinner Party. It was a relief to see truly empowered, creative women owning the stage. It was also a relief to see someone go beyond a cursory mention of the Palestinian situation: they displayed a flag and a QR code for donations, offering a small but meaningful gesture of solidarity in a climate where silence often reigns.
From their theatrical flair to their lyrics and show (wo)manship, their performance was fantastic. The drummer, ferociously powerful with her tongue out and not a trace of makeup, couldn’t have cared less about the male gaze. Meanwhile, lead singer Abigail Morris - decadent, twirling, Kate Bush-esque - ran and danced across the stage, even into the crowd. We were particularly amused by the videographer sprinting to keep up with her. A perfect metaphor surely? Their show was everything I want from music: artistry, energy, social conscience - and literary influences didn’t go amiss either. The Last Dinner Party was a triumph.
I returned home a shadow of my former self, vowing never to go to a music festival again. Then I remembered those tickets for Shambala… But, the boy loved it. And I love him. So in the end, it was a win-win.
Beverley Ward is the founder of Sheffield's The Writers Workshop "a creative hub for emerging, developing and established wordsmiths".
You can read all about their work and upcoming opportunities here
For more of Beverley's work, visit her website here and subscribe to her substack here and catch her poetry at one of our city's spoken word events
Beverley's memoir 'Dear Blacksmith' is available here
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Herd the Word
EVENT OF THE WEEK w/c 4th August 2025
Fans of dark academia, magical intrigue, and slow-burn romance won’t want to miss the chance to meet bestselling author Elise Kova at Waterstones Meadowhall on Friday, 8th August at 1pm. She’ll be signing copies of her latest novel, Arcana Academy, the first book in a thrilling fantasy series.
Arcana Academy follows Clara Graysword, a talented tarot card inker with a rare and forbidden power. After a heist goes wrong, Clara faces a lifetime behind bars - until Prince Kaelis, the mysterious headmaster of Arcana Academy, offers her a dangerous bargain: pose as his fiancée and help him steal a powerful tarot card from the king. As Clara navigates the shadowy halls of the academy, she must decide whether to trust Kaelis or seize the magic for herself.
Elise Kova, a USA Today bestselling author, has earned praise for her immersive world-building and emotionally charged storytelling. Her previous works, including A Deal with the Elf King, have captivated readers worldwide. With Arcana Academy, she blends magical academia and enemies-to-lovers romance into a page-turner that fans of fantasy and romance will love.
Tickets for the signing are £20 and include a copy of Arcana Academy a. For more details, visit here
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Herd the Word
EVENT OF THE WEEK w/c 28th July 2025
On Wednesday 30th July at the Bath Hotel, the second workshop in the Punk Suffragette series from the Revolting Women writing group invites you to explore the powerful connections between grandmothers and granddaughters. What do we inherit? What sets us apart? And what acts of resistance live in our own family stories?
The event takes place at The Bath Hotel, one of Sheffield’s most atmospheric pubs; intimate, historic, and full of character, with beautiful stained-glass and tiled interiors that make it a favourite local spot. A perfect venue to reflect and be inspired.
Revolting Women is hosted by Chol, a socially engaged arts company committed to co-creation and amplifying underrepresented voices.
This workshop is a relaxed, creative, and feminist writing session open to cis and trans women, non-binary, and gender expansive individuals. The event starts at 7pm and is free but click the link below for tickets and further info.
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Herd the Word
POETRY SPOTLIGHT:
Lewis Gospel
We are delighted to feature two pieces of work from the poetry of Lewis Gospel.
Come wizen
Come torn
Out on the trail
A gayle to glide
Affording the time
To riddle
The middle man’s manager to encumber the lost ball
Grains sown and sorted to be long beheaded by beauty
Dusted in between the tackles
Thwacked and tacked into boredom
Beseeched into unknown territory
Bygones beloved
Big birthday growing on my shoulder
A parrot flying over yonder
Into the sea I tell you
Of course for the long haul like any other lover
Doppelgänger tik tok on my chamber door
Laying just laying on a chamber door
Matted into some weed breath
Made from a future riding amount
Monies diffused
Letting the cave come in for tea and biscuits
Yousef made from diamond mishapoens
Despairs despite deshapen
Yet dishevelled
Bullied into submission
For yonder the window breaks
Coming close this time but never too far.
A long this way again.
Away in a mainger he writes
Malignant and nutty
About the time to pry in a tip bowl
Tossed to the dogs of a gate hot smouldered in hell.
Has this been this long
The longest budget to nudge
Till death departs
And life finds you away.
In the stands
The stands they ring clear from noise
And blades swaying in the grass
A known by any other name would shoot you into the street
Till the brains in both our heads turn to dust and mush and second hand ash
Calling the cars and bars festooned in rose petals
Welcoming yardbirds to the open air
Twisted twitters and fickle bitter symphonies
Brandished in Dijon on my life line
Life lines
Life lined with wooden crags
Cranking crows feet into the bare bottomed bile seas
Till names blazen the streets once more
Only for another day
That games come to play on my back porch
Like a desk skipped
Ripped from the page
Spelt in blood
Spent in long hard hours
Binned with a Bonny rag doll
And Prussian palid paradise
Babylon bees nests
All lined with Roman berries
Fit for ageless time
Gifted with rhyme
the times
Only wine persists for the ever
And sudden sudds
Are born
Again and again
So cheers and fears for dreary eyed toys that tout the worlds cracks for tear laden feels and deals that ought to last a lifetime
If only
My friend
The hell bet lend
That is morning time before they got there
That’s yawning time before and after
The show
On both our houses.
End.
To read and see more of Lewis Gospel's work, follow his Instagram page here and look out for him at one of the many spoken word events Sheffield is delivering.
Fancy having your poetry featured? Submit your work here
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Herd the Word
EVENT OF THE WEEK w/c 21st July 2025
On Sunday 27th July, head down to the award winning Hop Hideout at Leah's Yard from 3-4:30pm to check out Open Fields: Spoken Word fringe festival special. The event promises a curated poet showcase with free entry.
Hop Hideout is a fantastic space that combines a cosy atmosphere with community-spirit and offers an extensive selection of beers to accompany your afternoon.
While you wait for the event to begin, why not also check out Gravel Pit Presents - Tramlines Music Market which offers vinyl, band tees and music memorabilia in the courtyard between 11 - 4pm.
Follow Hop Hideout and Leah's Yard for more information
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Herd the Word
EVENT OF THE WEEK w/c 14th July 2025
A musical with a twist and a taste for the absurd, The Guy Who Didn’t Like Musicals arrives in Sheffield this July for two nights of mayhem at The Foundry. Taking place on Friday the 18th and Saturday the 19th, the show kicks off at 6:30 pm and runs into the evening with a strange, high-energy story that blends horror, comedy and toe-tapping numbers in the most unexpected ways.
The plot follows Paul, an average man with a deep dislike for musicals, who suddenly finds himself in the middle of one. His town is overtaken by a strange force, and one by one, the people around him begin to sing, dance, and act like everything is fine—even as it clearly isn’t. What begins as confusion quickly descends into full-blown disaster, with Paul scrambling to survive as the musical madness spreads like a virus. It’s funny, offbeat, and more than a little unhinged.
Produced by Butter Side Up Theatre, this local staging brings the cult classic from StarKid Productions to a whole new audience. Known for their sharp humour and strong ensemble work, the company leans into the show’s eccentricity, making room for both silliness and sharp satire. The production feels fresh but faithful, full of unexpected turns, dramatic lighting, and songs you’ll find yourself humming long after the curtain call.
Tickets are £15 and include an evening of fast-paced theatre with a lot of heart and a lot of chaos. Funny, strange and full of surprises, it offers something different for a summer night out in the city.
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Herd the Word
EVENT OF THE WEEK w/c 7th July 2025
Sheffield Library has been providing a fantastic programme of events recently and so, for the second week running, the Central Library hosts our event of the week. On Wednesday 9th July at 6pm, “Sheffield’s Blitz: People, Places and Stories” will rake place in the Carpenter room. The talk explores the experiences of local residents during one of the most devastating episodes in the city’s history. Presented by historian Janet Ridler, the evening promises a powerful journey through personal accounts and lesser-known details of the air raids that struck Sheffield during the Second World War.
On December 1940, Sheffield was targeted by the German Luftwaffe in a bombing campaign intended to disrupt its vital steel industry. Over two nights, bombs rained down across the city, killing more than 660 people and injuring around 1,500 others. Entire streets were reduced to rubble, and more than 40,000 residents were left without homes. The worst single tragedy came when the Marples Hotel was hit directly, trapping and killing scores of people sheltering in its basement. Despite this destruction, the steelworks remained largely functional, a fact that underlines both the precision of the attacks and the resilience of the workforce.
The raids didn’t just scar the city physically—they reshaped its community. Landmarks like High Street were torn apart, and areas such as Devonshire Green were permanently altered. Yet amid the devastation, stories of bravery, endurance, and survival emerged—stories that continue to resonate in Sheffield’s streets and in the lives of families who remember.
Attendees will hear about the people who endured those nights, the places that were forever changed, and the human stories that linger in the city’s memory. A discussion will follow the talk, offering space for questions and reflections.
Admission is free, and those attending will leave with a deeper understanding of what Sheffield faced—and overcame.
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Herd the Word
EVENT OF THE WEEK w/c 30th June 2025
Join Sheffield Libraries on Wednesday 2nd July 2025 for a powerful and thought-provoking evening with Rohit K. Dasgupta, as he discusses his new book Desi Queers: LGBTQ+ South Asians and Cultural Belonging in Britain. A scholar of queer cultures and digital media in South Asia, and Associate Professor of Gender and Sexuality at the London School of Economics, Dasgupta brings a deeply informed and nuanced perspective to the histories of LGBTQ+ South Asians in Britain.
Taking place at Sheffield Central Library from 6 to 7 pm (doors open at 5:30 pm), this free event explores how queer South Asians have forged spaces of resistance, community, and cultural belonging from the 1970s to the present day. Drawing on oral histories, archival material, and decades of activism—including groups like Shakti, Naz, and the pivotal ‘Smash the Backlash’ protest—Desi Queers captures both the challenges and the creativity of navigating queerness at the intersection of race, culture, and migration.
Whether you’re interested in queer history, South Asian diasporic identity, or intersectional activism, this event offers a rare opportunity to reflect on the stories that have too often gone untold.
Admission is free - book here
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Herd the Word
EVENT OF THE WEEK w/c 23rd June 2025
On Tuesday 24th June at 7pm - 10pm, A Room of One’s Own: Women’s Literary Club returns to The Herd in Woodseats for an evening of readings, reflections, and conversation with three powerful women writers.
Helen Mort, an award-winning poet and novelist, is known for work that blends personal and political themes, often drawing on the landscapes of the Peak District and experiences of motherhood, feminism, and endurance. She is also a Senior Lecturer of Creative Writing at Manchester Metropolitan University - certainly a voice to be inspired by.
She will be joined by talented journalists Emma Wilkinson and Lily Canter who will be discussing their new book Ultra Women which explores extraordinary female athletes and their powerful endurance skills. Filled with inspiring tales of athletes from around the world, the book also investigates the barriers in sport that these women still face.
This intimate literary gathering offers an open mic chance to contribute and hear new work(this month's theme is nature and adventure), explore the writers’ creative processes, and connect with Sheffield’s vibrant community of readers and storytellers in a relaxed, welcoming setting.
20.06.25
REVIEW: DROP DEAD! @ SHEFFIELD UNIVERSITY DRAMA STUDIO
By Sheffield Vegan Blogger
Photography by Mark Todd
Drop Dead! at the University of Sheffield’s Drama Studio (running 18th–21st June) is a chaotic, hilarious and genuinely fun night out. It’s a play within a play – a mystery/whodunnit where we’re watching a group of actors prepare for their show. But of course, things don’t go quite to plan, and it’s not long before the drama offstage starts to mirror the drama on it… with some unexpected twists (and maybe even a few murders?!). It’s full of farce, quick changes, and plenty of laughs – just what you want from a night at the theatre.
Drop Dead! is the directorial debut of Lily Luty and Hollie Warman who had first appeared as actors in The Company’s ‘Night of the Living Dead’. On why they chose this as their first production as directors, they state “The play offers so many opportunities for people in the production to be playful. Also, there’s slapstick humour, LGBTQIA+ relationships, rivalry and stage malfunctions”.
The writing (by Billy Van Zandt and Jane Milmore) is solid – funny, fast-paced, and full of great moments – but what really made it shine was how the cast and team put their own stamp on it. Setting it in Sheffield gave it a fresh, relatable twist and definitely added to the comedy. The performances across the board were great – full of energy and really believable. Some of the standout characters for us were Constance Crawford (Lyn Armstrong), Victoria Le Pewe(Monica Gallo) and Phillipa (Hannah Wade) – each of them had great presence and brought something unique to the chaos.
At first glance, the set appears to be pretty basic but that’s clearly intentional, and it becomes part of the joke as things unfold (no spoilers, but it’s clever). Lighting, sound, and costumes were all executed well and helped tie everything together. One of the nice things about this show is how close the audience is to the stage – it feels really intimate, like you’re right there in the middle of the action.
We also liked all the little details – clear timings and content warnings on the noticeboard, photos and info about the cast, and a really well put-together programme (definitely worth grabbing one if you go). You can tell there’s a lot of passion and enthusiasm from everyone involved – cast, crew, front of house and even the audience, who were buzzing on the way out.
We left feeling glad we’d made the effort to venture out in the heat – live theatre like this reminds you how much fun it can be to just sit back and enjoy something properly immersive.
The Drama Studio itself is a really pleasant venue – cool inside (thankfully!), comfy seats with decent leg room, step-free access, and a whole front row set aside for priority seating.
All in all, Drop Dead! is a brilliant, light-hearted show full of laughs, mishaps and good old-fashioned theatre magic. If you’re thinking of going – do. You’ll have a great time.
For tickets to remaining performances, visit here
For more information about The Company (including information about their upcoming production of Titus Andronicus, directed by Luke Moseley and Ed Bancroft) click here
13.06.25
REVIEW: BATTY! @ SHEFFIELD UNIVERSITY DRAMA STUDIO
By Charlotte Sometimes
Photography by Barbora Cetlove
Following the success of her one-woman show How to be Amazingly Happy!, writer and performer Victoria Firth returned to the stage with her latest theatrical offering, Batty!—a bold, funny, and poignant exploration of identity, transformation, and wildness.
First performed at Sheffield University’s Drama Studio, Batty! offered audiences a rich mix of storytelling, physical comedy, and feminist insight before its upcoming run at the Edinburgh Fringe and a tour throughout the autumn.
Five years in the making, Batty! follows its titular character as she navigates a surreal and soul-searching journey into middle age. Confronting the weight of expectations, the play delves into themes of freedom and the often untamed wilderness of growing older. Firth, who wrote and co-performed in the show, has said of the work, “I don’t think there’s enough alternative representation of middle-aged women on stage”—and Batty! feels like a direct and heartfelt answer to that gap.
Central to the performance was the magnetic relationship between Victoria Firth (as Batty) and Kathryn Hanke, who played her mischievous, mysterious companion Wildthing. Their on-stage chemistry was electric, with a highlight being Hanke delivering a particularly compelling vocal performance that brought both gravitas and glee to her role. The two performers danced between sincerity and silliness with ease, anchoring the show in emotional honesty while letting loose in moments of wild abandon.
Another of the show’s highlights was a series of uproarious scenes in which Batty seemed to quite literally become a witch—complete with a superbly brave piece of physical comedy involving a broom that had the audience in stitches. Yet beneath the humour, the transformation served a deeper metaphorical purpose, challenging notions of madness, femininity, and power.
The cottage-style set design added an earthy charm to the production, evoking both the comforts and confines of domestic life in relation to the desire to break free and be at one with the natural world. The sound design beautifully supported the thematic layers of the show, moving between ambient sounds evoking the natural world and powerful, anthemic musical moments. Folk songs—most notably a rousing rendition of On Ilkley Moor Baht’at—added a welcome touch of local Yorkshire flavour and nostalgia, rooting Batty’s personal journey in a shared cultural landscape.
In its portrayal of wild women, and with its nods to witchcraft, folklore and feminine archetypes, Batty! bore faint echoes of the work of Angela Carter - though Firth's voice remains distinctly her own. That shared interest in subverting traditional role and embracing unruly feminity gave the piece an added layer of literary resonance without overshadowing its originality.
The script balanced poetic subversion with relatable reflections, inviting the audience to both laugh and think. One particularly memorable anecdote about a bat cleverly tied together themes of fear, perspective and finding unexpected allies in strange places. Lines such as “I worry I’m not enough…” “I worry I’m too much” resonated deeply, offering insight into the inner conflicts of middle-aged womanhood with both humour and vulnerability.
Firth has described Batty! as “full of questions and big feelings,” and that spirit infused every moment of the production. It was a celebration of wildness—not as a loss of control, but as a reclaiming of self. A funny, fearless, and moving piece of theatre that deserves to be seen.
To find out more about Batty! and upcoming performances, follow Victoria Firth here
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Herd the Word
EVENT OF THE WEEK w/c 16th June 2025
Soup & Verse returns to Cole’s Corner in Sheffield on Friday 20th June 5pm until late for an evening of lyrical magic, laughter, and unexpected brilliance. Hosted by the ever-enchanting Bard Benoît—magician, artist, and poet—the night blends spoken word, comedy, and music in one of the city’s most characterful venues.
This special edition features some performances by acts performing the sold-out Ultra Comedy Show happening on Sunday 22nd. Expect sharp stand-up from comedians Lee Pollard and Pat Von Bismark, whose punchy wit and offbeat humour have been building buzz on the Sheffield circuit. With an open mic and jam session also on the bill, the stage is open to anyone brave (or foolish) enough to step up - all welcome.
Performers are rewarded not just with applause, but also with free soup!
Cole’s Corner, nestled on Abbeydale Road, is a café-bar, vinyl lounge, and community hub all in one. With its vintage interiors, friendly vibes, and dedication to local culture, it’s the perfect place for grassroots creativity to shine. Whether you’re there to perform, listen, or just slurp soup and soak it all in, Soup and Verse promises a memorable Friday night of poetic power and comedy chaos.
11.06.25
PREVIEW: DROP DEAD! @ SHEFFIELD UNIVERSITY DRAMA STUDIO
Sheffield’s beloved and long-standing amateur dramatics group, The Company, is back this June with a side-splitting comedy that’s equal parts chaos and charm.
From the 18th to the 21st June at the University of Sheffield Drama Studio, Drop Dead! plunges you into a hilariously botched murder mystery where the actors’ offstage drama quickly overtakes the plot.
Directed by Lily Luty and Hollie Warman, this uproarious play is a heartfelt celebration of amateur theatre, packed with collapsing sets, forgotten lines, and egos clashing both on and off the stage. The Company’s talented local cast and crew, all volunteers, bring this madcap world to life with fast-paced dialogue, outrageous characters, and slapstick disasters.
Whether you’re a die-hard theatre fan or just looking for a night of laughs, Drop Dead! promises pure entertainment and a wild ride through the unpredictable magic of live performance.
Tickets are available now here — don’t miss out on one of Sheffield’s funniest shows this summer!
10.06.25
PREVIEW: MOMENT TO MOMENT
By Nat Up North
Don’t miss Studio 13’s performances this week of Moment to Moment at Studio 13
Meisner on Castle Street, Sheffield City Centre.
Studio 13 is a community interest company, providing quality and affordable actor
training, while also making productions. They specialise in the Meisner technique,
bringing truthful and spontaneous reactions to the stage in response to other actors
and catalysts.
Moment to Moment is an eclectic mix of scenes throughout the world of theatre. This
intimate performance is guaranteed to captivate and amaze audiences, promising to deliver "a breathtaking medley of theatrical scenes spanning the ages"
There are few tickets left for this performance, held this week Wednesday 11th to
Saturday 14th June.
Special offers for NHS and blue light card holders get free entry night on Thursday and a 2 for 1 discount on Friday evening.
Get your tickets here before they are gone!
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Herd the Word
EVENT OF THE WEEK w/c 9th June 2025
On Monday June 9th, take a step back in time and wander through nature as seen through the eyes of Shakespeare in this hour-long guided tour of Sheffield’s Botanical Gardens.
From the symbolic rosemary of Hamlet to the fragrant violets in A Midsummer Night’s Dream, and the ominous hemlock of Macbeth, Shakespeare's plays are rich with plant lore. With midsummer drawing near, the evening’s focus is on the flowers, herbs, and trees that bloom through the Bard’s most beloved works.
Perfect for literature lovers, nature enthusiasts, or anyone looking for a tranquil start to the week.
Meeting point: 6pm outside the Dorothy Fox Education Centre (top of the slope from the Thompson Road entrance, off Ecclesall Road).
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Herd the Word
EVENT OF THE WEEK w/c 2nd June 2025
On Wednesday 4th June at 6pm, Sheffield Central Library will welcome writer Luke Turner for a special evening exploring his powerful new book, Men at War: Loving, Lusting, Fighting, Remembering 1939–1945. The event forms part of the library’s Pride Month programme and the 80th anniversary of the end of World War 2, shedding light on the overlooked queer histories of the Second World War.
Blending memoir and archival research, Turner’s book reexamines traditional ideas of masculinity through the stories of men who loved, fought, desired, and struggled during wartime. From forgotten personal accounts to public figures like transgender pilot Roberta Cowell, Men at War challenges conventional war narratives by restoring complexity to the lives of those often written out of history. Expect a thought-provoking evening of discussion around identity, memory, and how we remember conflict—and who gets remembered.
Admission is free but booking is advised here
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Herd the Word
EVENT OF THE WEEK w/c 26th May 2025
On Sunday 1st June 2025 at 6pm, Dyson Place in Sheffield will host an evening of outdoor dining and live entertainment as Courtyard Cabaret brings its unique blend of food and performance.
Guests can book a table at one of three restaurants in Dyson Place and enjoy a lively programme of cabaret entertainment during their meal. Expect a mix of songs, poetry, dance, and comedy, followed by a spirited finale of music and dancing.
The cost is £30 per person, with £25 going toward the restaurant bill as a deposit and the remaining £5 covering entry to the Cabaret.
The participating restaurants are Neighbourhood dining Cornerstone; Spanish Tapas restaurant Iberico and Mexican flavours from Pellizco
Expect a night to remember!
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Herd the Word
EVENT OF THE WEEK w/c 18th May 2025
On Tuesday 20th May, step into an evening of insight and provocation as Dr. Sharon Jagger explores the tangled roots of witchcraft and its enduring link with feminism.
This compelling discussion, presented by Seed Talks, unearths how the figure of the witch has long been used to challenge, suppress, and ultimately redefine women’s power.
Drawing from history, culture, literature and contemporary thought, Dr. Jagger explores how the witch has evolved into a symbol of resistance and empowerment.
Whether you’re curious about the past or passionate about gender politics, this is an event that promises to inspire, question, and spark discussion.
The talk is at Peddler Market and doors are at 7pm.
20.05.25
REVIEW: FESTIVAL OF DEBATE - LAURA BATES IN CONVERSATION WITH HELEN MORT 'THE NEW AGE OF SEXISM'
By Charlotte Sometimes
Photography by Nat Up North
On a charged evening at Sheffield Hallam’s Pennine Lecture Theatre, writer and activist Laura Bates delivered a talk that was as sobering as it was galvanising.
This powerful evening formed part of Sheffield’s Festival of Debate — the UK’s biggest annual festival of politics, ideas and activism — which has consistently brought bold voices and difficult conversations to the forefront.
Presented by poet and academic Helen Mort — who herself has appeared in a film, spoken and written with unflinching honesty about her personal experiences of digital violation — the event centred on Bates’ latest book The New Age of Sexism, and its urgent relevance in an increasingly hostile digital world.
Bates, founder of the Everyday Sexism Project and a longstanding advocate for women’s rights, is no stranger to uncomfortable truths. Her body of work has consistently exposed the hidden and systemic inequalities that persist beneath society’s surface. But her latest research, and the talk it inspired, entered a darker and more disorienting space: one of cyber brothels, deepfakes, and the unchecked violence flourishing in virtual realms like the metaverse.
Bates and Mort opened with a moment of uneasy humour — joking that they and Taylor Swift share the “horrible fate” of having been victims of deepfake technology. The laughter that followed was muted and dark, prompting Mort to muse that there ought to be a word for this particular kind of laughter — part disbelief, part despair. It was a moment that captured the evening’s emotional terrain perfectly.
What followed was a talk that horrified and mobilised in equal measure. Bates spoke plainly about the rise of non-consensual, AI-generated sexual content and the deep harm it causes. She underscored how quickly the technology is advancing, and how slowly (at times regressively) regulation, justice, and education are keeping pace.
Yet, for all the devastation detailed, Bates’ delivery never slipped into hopelessness. Her compassion is clear, her research meticulous, and her message urgent: education is one of the most powerful tools we have. She spoke with particular emphasis on the need to prepare young people to understand and challenge the digital cultures they are growing up inside.
The room was filled with a sense of weight, but also clarity. This was not a talk people would forget quickly. It didn’t just inform; it demanded action. Not a single person left without feeling that something must be done.
In person, Bates proves herself not only an extraordinary communicator, but a fierce and compassionate advocate whose message was skillfully aided by the powerful questioning of Mort. The New Age of Sexism is a fascinating, read and, like the event itself, necessary.
For more information about Laura Bates, visit her website here
For more information about the Festival of Debate, click here
13.05.25
PREVIEW: BATTY! @ THE DRAMA STUDIO
By Charlotte Sometimes
Following the success of her solo show How to be Amazingly Happy!, Victoria Firth returns with a performance of her latest project, Batty!, on June 12th and 13th at Sheffield University drama studio.
The play follows its central character—Batty—as she questions the boundaries between ageing, freedom, and transformation. Accompanied by her enigmatic companion Wildthing, Batty explores a deepening connection to nature, her own instincts, and a growing suspicion that she might not be quite what society expects.
Mixing storytelling, humour, and a streak of poetic subversion, the show examines the idea of “wildness” in women—not as madness, but as a vital and reclaimable part of identity. With a blend of playfulness and poignancy, Batty opens a space to talk about queerness, menopause, and the liberating power of not caring quite so much anymore.
The show is on for two nights on June 12th and June 13th and tickets are priced at £16 (concessions are £10)
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Herd the Word
EVENT OF THE WEEK w/c 12th May 2025
Laura Bates returns to Sheffield on Friday 16th May as part of the Festival of Debate 2025, bringing her sharp and timely perspective to the evolving face of gender inequality.
Best known as the founder of the Everyday Sexism Project and the author of several influential books on systemic misogyny, Bates has become one of the most recognisable and urgent voices in British feminist discourse. Her work has consistently explored how sexism infiltrates daily life, but in recent years she has shifted her focus to how these dynamics are playing out in increasingly digital, insidious, and radicalised ways. In her latest book, The New Age of Sexism, Bates confronts the mechanisms by which misogynistic ideologies are spreading online, from fringe forums to mainstream platforms, and how these patterns are not only affecting individual lives but influencing politics, culture, and education on a wide scale.
Chairing the event is academic and poet Helen Mort, a familiar and esteemed figure in Sheffield's literary and public life. Mort's engagement with issues of voice, identity and gender makes her the ideal interlocutor for this unmissable conversation.
Event starts 7pm at Pennine Lecture Theatre
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Herd the Word
EVENT OF THE WEEK W.C 5th May 2025
Sheffield’s alternative comedy scene gets a fresh injection of absurdity on Tuesday, May 6th as World of Sheds arrives at Alder Bar for an evening of inventive performances and offbeat humour.
Hosted by the dynamic trio of Stan Skinny, Stewart Lodge, and Maxine Wade, the night promises a mix of sketch, clowning, and character comedy that defies convention.
The lineup features special guests Alan Fiddler and Canadians in Space. Alan Fiddler, known for his sharp wit, brings a unique perspective to the stage. Meanwhile, Canadians in Space, a South Yorkshire-based musical comedy duo, offer a blend of satirical songs and space-themed narratives.
The event kicks off at 7:30pm at Alder Bar, a venue known for supporting innovative and grassroots performances. Whether you’re a fan of alternative comedy or just looking for something different to do on a Tuesday night, World of Sheds offers a refreshing departure from the ordinary.
01.05.25
REVIEW: FORGE THEATRE COMPANY PRESENTS THE ROARING GIRL @ CROOKES SOCIAL CLUB
By Charlotte Sometimes
Performed with swagger and spark at Crookes Social Club, this riotous production of The Roaring Girl was a bold, breathless celebration of gender defiance, freedom, and female autonomy. Originally penned in 1611 by Thomas Dekker and Thomas Middleton, the play centers on the charismatic and unconventional Moll Cutpurse—a figure inspired by the real-life Mary Frith, a notorious cross-dressing pickpocket, performer, and woman who flouted every social rule of Jacobean England.
It’s a play soaked in iconic feminism and a spirited rejection of societal norms, and this production seized on that fire with exhilarating energy. The deliciously modern declaration, “I please myself and care not else who loves me,” was spoken by Moll with such clarity and bite that it could easily be a rallying cry for any modern-day rebel. The whole play felt very now, despite its early 17th-century language—thanks in large part to the clever directorial choice to root the action in the gritty, anarchic world of the 1970s punk scene.
This updated setting gave the production an electric pulse. Against a backdrop of safety pins, spray paint, and snarling guitars, Moll wasn’t just a symbol of nonconformity—she was its frontwoman. Reimagined as a punk singer, Moll commanded the stage with raw vocal power and unflinching charisma, backed by a superb live three-piece band who played the sharp, aggressive riffs of The Undertones, Stiff Little Fingers, and The Stooges. These musical interludes didn’t just add energy—they grounded the production in a language of rebellion that enhanced its themes rather than distracting from them.
This vivid layering of music and theatre offered something deeper than style—it provided a metaphorical commentary. The distortion-heavy chords and rapid tempos paralleled the dissonance between Moll and the world that tries to contain her. She is loud, proud, and defiantly herself—a perfect punk heroine.
Sheff Herd previously saw and reviewed several of the cast in Passing Places earlier this year, and The Roaring Girl revealed a whole new level of range. The roles here were entirely different in tone, style, and energy—yet each performer stepped into their new character with striking confidence and nuance. It was a clear demonstration of versatility, with the cast embracing the punk-infused chaos and period-tinged dialogue with equal skill. The entire cast delivered impeccable performances, showcasing not only their timing but an impressive flexibility that allowed them to slip between comic farce, sharp satire, and moments of genuine emotional depth.
At the center of it all stood Agnetha Spencer, delivering a truly magnetic turn as Moll. If ever there were a blueprint for the perfect modern heroine, she embodied it—funny, fierce, fearless. Her performance was a whirlwind of sharp one-liners, hilarious ad-libs, eye-rolls, and guitar-wielding swagger, all wrapped in the battered leather and bravado of punk defiance. And during the musical numbers, she absolutely owned the space. With the vocal power and stage command of a seasoned frontwoman, Spencer blurred the line between actor and front woman.
Rurik Seven, doubling as co-producer, brought charm and flair to the role of Jack Dapper—Moll’s roguish ally—with a relaxed charisma that grounded some of the play’s wilder moments. A true standout, however, was Jack Hewitt as Ralph Trapdoor, the mischief-making schemer whose comic timing, elastic facial expressions, and physicality made every one of his scenes sparkle. He had the audience laughing before he even spoke.
Equally memorable was a brilliantly pitched scene between Paigan Gibbons and Iona Wilkins, whose lively discussion about the follies of the men around them became a shining example of the production’s comic sharpness. Their rapport was natural, their delivery crisp, and their commentary hilariously relatable—another moment where the centuries-old script felt astonishingly current.
Director Lucy Bytheway not only proved her keen instincts behind the scenes but also impressed in front of the audience with a nuanced and engaging performance as Mary. Her chemistry with co-star Matthew Hutchinson was one of the emotional anchors of the show. Hutchinson, in turn, delivered a masterclass in clarity and projection—handling the complexities of the original language with ease and making it entirely accessible without ever losing its rhythm or weight.
Bytheway has clearly harnessed the full breadth of her cast and crew’s talent to create a vibrant, intelligent, and joyously rebellious rendition of The Roaring Girl. It was a superb evening of theatre—energetic, thoughtful, and packed with personality. No wonder it sold out. We can’t wait to see what comes next. A roaring success!
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Herd the Word
EVENT OF THE WEEK W.C 28th April 2025
Sheffield’s Festival of Debate welcomes writer Lanre Bakare to Sheffield to discuss his debut book, We Were There: How Black Culture, Resistance and Community Shaped Modern Britain. The event takes place from 7 - 9pm at the Showroom Workstation.
In his book, Bakare uncovers the untold stories of Black British communities and how they have shaped the cultural and social fabric of modern Britain. He highlights the contributions of everyday people, from activists and artists to educators and community leaders, whose work often goes unrecognized in mainstream histories. Bakare examines the legacy of these figures, exploring how they’ve influenced everything from politics to music and how their work continues to resonate today.
Joining Bakare in conversation will be Sheffield-based writer and broadcaster Désirée Reynolds. Together, they’ll discuss the themes of the book and the importance of reclaiming overlooked histories.
Tickets for this event are priced at £9, with a £7 concession available here.
27.04.25
REVIEW: LONGPIG THEATRE COMPANY PRESENTS JIM CARTWRIGHT'S TWO @ SHAKESPEARES
By Joe Cassius
Foreword by Charlotte Sometimes
Last Friday, atmospheric historical pub Shakespeares hosted one of the "holy grail" plays for a northern theatre company- Jim Cartwright's Two. To fully do justice to the incredible performance delivered by Longpig Theatre's Sylvia Robson and Gary Keane, we are handing over to guest writer - novelist and poet, Joe Cassius - to paint a picture of just how special this performance was.
A play about a pub, in a pub. Few props needed. Music from the era played while we waited. Into the Grove. Ambiance of the audience, elbowing our way to the bar before taking our seats. The stage is set in the cosy confines of this intimate pub.
The opening scene was taken by the scruff of the neck and it no longer felt like a thespian showcase with a quiet, watchful audience but something else; back in time, back in the day - a busy bustling Friday night, a smoky riot, beer stench and bodies bumping at the bar.
Two played by two: Sylvia and Gary, taking on a full cast of characters. Always the revolving door of saying farewell to one character while walking onto a new one.
Accents came thick and fast; from south to Scotch, Scouse to Geordie to the heartlands of the play's home county Lancashire. This is a northern play. No bones about it. And the actors play homage to this by nailing a range of detailed dialects, comically uncanny and one of the play's main attractions. The all-too familiar feeling of "Oh I know someone like that". The action is intimate, bordering on audience participation. Goading the crowd with such realness that one lady did in fact forget herself and engage. The performances didn't break the Fourth Wall as much as stretch it until it could go no more; all the time remaining in character and locked onto their narrative. This was almost an art form in itself.
Because of its vignette-style, the play really takes you to the edge of emotion. Riding its wave. From the fuzzy-stomach familiary of misfit love to the torturous claustrophobia of domestic, mental abuse. Gary and Sylvia translate a whole buffet of human experience through their highly skilled and deeply passionate performances. We become invested in the characters because they are. The "as-is" setting also provided some authentic sounds, distant rumble of traffic, inside the silence, punctuating such profound moments of drama. By last orders, the climactic scene brings it all back home. The play's overall themes: Conflict. Comfort. Community. Suffering. Denial. Fear. Loss. Love. Life of Pub; told through theatre.
Sylvia and Gary take these characters on tour and every venue, changes the atmosphere of the play. From this performance at Shakespeare's to Berlin, Germany to the remote villages of the north. Watching them perform, and hearing them talk about the play afterwards, it's obvious that they're not wanting to let the characters go anytime soon so if you want to meet them, I strongly recommend going to see them at their future showings.
Check out Longpig Theatre's future performances here
You can also read more about Longpig Theatre Company in our preview of the show below.
13.03.25
PREVIEW: LONGPIG THEATRE COMPANY BRINGS JIM CARTWRIGHT'S TWO TO SHEFFIELD'S SHAKESPEARE'S PUB
By Charlotte Sometimes
Fancy a night in an 80s pub?
Pub theatre has a long and lively tradition, offering audiences an intimate, immersive experience where the line between performance and reality blurs. From Shakespeare’s time—when plays were performed in inns and taverns—to the modern-day resurgence of pub theatre, these performances have always thrived on their close connection with the audience.
On Friday, April 25th, Longpig Theatre Company brings their acclaimed production of Two to Shakespeare's in Sheffield. It’s a setting that feels tailor-made for Jim Cartwright’s Two, a play that captures the laughter, heartbreak, and everyday drama of a Northern pub in the 1980s.
During the play, two actors bring a wide range of characters to life in a lively evening set in a Northern local. Blending humour, warmth and pathos, this ever-popular play explores the highs and lows of life and relationships where sometimes the strongest spirit in the pub is – human.
Ahead of their Sheffield performance, we caught up with Sylvia Robson, co-owner of Longpig Theatre, about the show, the company, and their love for pubs.
Interview with Sylvia Robson (Longpig Theatre Company)
Can you tell us a bit about Longpig Theatre?
Gary Keane and I are both co-owners of the company. We met in 2002 when we joined the Royal Company, a community theatre group at Nottingham’s Theatre Royal. Over the years, we performed in various shows, including Roald Dahl’s Revolting Rhymes, which we toured in schools.
We started Longpig Theatre in 2019 and were lucky enough to perform our first ever show at the Third Stage at Nottingham Theatre Royal in February 2020. It sold out and went down really well! Of course, everything went on hold during the pandemic, but we finally brought it back last year.
What drew you to Two?
We spent a lot of time pondering what show to do. I saw Two at Derby Theatre and was immediately drawn to it. Gary had seen it a few times over the years and loved it too. Even though it’s set in the 80s, its themes are timeless. It’s a real ‘slice of life’ that celebrates the community spirit of pubs. Both of us have a great fondness for pubs and the eclectic mix of people you meet in them. Jim Cartwright is from Lancashire like me and Gary is from Manchester. Plus, as actors, it’s a dream play—we each get to perform seven characters!
You’ve taken Two to quite a few places now. How has the tour gone so far?
In 2024, we performed in a couple of Nottingham pubs—The Navigation Inn and The Poppy and Pint—before taking it to Berlin’s Fabriktheater. This year, we’ve performed in Everingham (York), and next up is Sheffield. After Sheffield, we have Nottingham, Mansfield, and Rochdale lined up, and we’re looking even further afield.
Why did you choose Shakespeare's as a venue?
Back in 2019, I was scouting pub venues for the tour. I love Sheffield, but I hadn’t been to Shakespeare's before—when I found it, it was perfect. It’s a cracking pub, full of character and with a great atmosphere for this play. I went back last year on my birthday to remind myself of the venue and got us booked in.... and I sampled the awesome beer again, of course!
More Info:
Venue: Shakespeare's, Sheffield
Date: Friday 25th April
Doors open 7pm | Show starts 7.30pm
Tickets: £12.50 / £10 concessions (+ booking fee)
Running time: Approx. 100 minutes (including 15 min interval)
Not suitable for under 16s (adult themes)
More information about Longpig Theatre Company can be found here
21.04.25
PREVIEW: FORGE THEATRE COMPANY PRESENTS THE ROARING GIRL @ CROOKES SOCIAL CLUB
By Charlotte Sometimes
At Sheff Herd, we’ve got a lot of love for grassroots performance, and Forge Light Theatre’s latest offering at Crookes Social Club is exactly the kind of riotous, boundary-pushing work that keeps Sheffield’s creative scene alive and kicking. The Roaring Girl, originally by Thomas Dekker and Thomas Middleton and now sharply abridged by Lucy Bytheway, takes a Jacobean farce and injects it with the snarling spirit of ‘70s punk.
Set against a backdrop of rebellion and community mischief, the play follows forbidden lovers Sebastian and Mary as they scheme to win their freedom with the help of local legend and societal outcast Moll Cutpurse — a character inspired by a real 17th-century criminal who refused to be boxed in by traditional ideas of gender or behaviour. As Sebastian’s father plots to purge the town of its “roaring girl,” the stage explodes with original live music from an electric trio and a cast full of mischief-makers, stirring up questions about power, identity, and the systems we’re taught to obey.
Directed by Lucy Bytheway with assistant direction by Luke Mosley and produced by Rurik Seven, The Roaring Girl is a full-throttle celebration of the outsider — and a testament to the power of DIY theatre done right.
Running for two nights only — Tuesday 29th April and Thursday 1st May — this punk-fuelled production embraces farce, gender play, and working-class resilience, all from a team of Sheffield creatives with a fierce commitment to independent theatre in the North. Expect smoke, haze, on-stage smoking, and a night that refuses to behave.
Tickets are £14 or £11, with booking available now via Eventbrite.
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Herd the Word
EVENT OF THE WEEK W.C 21st April 2025
As part of Sheffield’s Festival of Debate, join John Harris in conversation with Melissa Simmonds for an evening exploring his latest book, Maybe I’m Amazed, on Thursday, April 24th 2025, at The Workstation.
In his new book, Harris takes readers on a personal journey, reflecting on how music shaped his life and identity. From the sounds of The Beatles and Amy Winehouse to the radical influences of Kraftwerk and The Velvet Underground, Harris delves into the profound impact these artists have had on his understanding of the world. He also opens up about raising an autistic child, offering a unique perspective on the challenges and joys of neurodiverse parenting.
Alongside this, Harris uncovers a rich history of neurodivergence and creativity, revealing why music has such a powerful connection to the human experience.
This event is part of the Festival of Debate, which runs from April 22th to May 30th 2025, and offers a wide range of discussions, panels, and performances on topics from politics to culture. Don’t miss the chance to hear Harris discuss his life, his book, and the intersection of music and neurodivergence.
Tickets for this insightful event are priced between £5-£7 and available here.
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Herd the Word
EVENT OF THE WEEK W.C 14th April 2025
Kid Acne, the Sheffield-based artist known for his bold street art, DIY ethos, and fanzine roots, is bringing his unique creative energy to Anomaly for a hands-on workshop that’s all about self-expression and lo-fi publishing. With decades of experience combining graffiti, illustration, and underground music, Kid Acne has built a career on turning raw ideas into eye-catching visuals—and now it’s your turn to do the same.
In this two-hour session, you’ll unleash your creativity and make your very own mini-fanzine from scratch. Guided by Kid Acne himself, the workshop will take you through the full process—combining collage, drawing, and text to create something that’s entirely yours. You’ll explore how to arrange and organise visual elements, understand layout and panel composition, and learn how to place images and text for maximum impact. It’s about creating functional, dynamic, and visually striking pages with whatever tools and ideas you’ve got at hand.
Perfect for ages 16 and up, no prior experience is needed. All skill levels are welcome, and you can work solo or collaborate with others if the mood strikes. Bring along any materials you love working with, and Anomaly will provide the rest—from scissors and glue to inspiration and good vibes. Walk away with your own finished fanzine and a solid dose of DIY energy straight from one of the scene’s most iconic voices.
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Herd the Word
POETRY SPOTLIGHT:
J. Hepworth
Our next featured poet is Jake Hepworth who is an emerging local poet with an incredible talent. His bold, visceral style, in both written form and performance makes him an exciting poet to read and watch. Hepworth often uses visuals to present his poems in a way that really draw out the impactful and introspective morals of his work. The graphics for the poem below can be viewed on our Sheff Herd instagram page.
This poem 'An Exposition of the Chivalry of Pardoning' is about the tension between the sacred and moral ideals of forgiveness against the raw, lived experience of what it truly means to pardon. Look out for the folding paper metaphor - a comment on how a folded page may smooth over the mistakes but can never erase the creases.
An Exposition of the Chivalry of Pardoning
Forgiveness is taught as if
it is a virtue chiselled into crystal,
but instead feels as if
you have written it
with a stick
in a stream of your enemy's own...
pestilence.
If a grudge is thought to be a sin,
then I should embrace what lies within
the ground
beneath;
the flames of hell
licking at my feet,
for as cold as my heart can be
it would at least keep
my boots warm.
Reversible crinkles
do not exist.
Therefore, irreversible wrinkles
do not become extinct.
No page
lays
perfectly flattened.
Even
after the
creature
who creased it
uses humility as their iron.
Oneself finds nemeses
In these crevices,
but how many folds must a man abide
before his foes scrunch him
un-scrunchable?
I might find myself
an origami of myself.
A caricature
of a fractured
soul;
folded,
scored,
hand fashioned
"With regards,
Yours,
truly,
Your adversary"
Better off not knowing.
Better off acknowledging
that
you can only stab a
moderate
amount of shit
before you keel over
and vomit.
If my wrong doer
Is a particularly incontinent
wrong-doo-doo-er
then they should recognise
that
virtues are robustly difficult to scribe,
In their stream
Of faeces,
And the summing of all its counter-sharts;
The river
Of their need,
to be
forgiven.
Friend or foe,
let us pray and hope
that the ears that I am lending,
are attuned enough to listen to your repenting,
and that neither mine eyes nor nose,
catch the whiff,
before I am ready
to forgive,
even myself.
To read and see more of Hepworth's work, follow his Instagram page here and look out for him at one of the many spoken word events Sheffield is delivering.
Fancy having your poetry featured? Submit your work here
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Herd the Word
EVENT OF THE WEEK W.C 7th April 2025
On Tuesday 8th April, The Lescar pub in Sheffield, in association with Rhyme & Reason bookstore, plays host acclaimed author Dan Richards who will be discussing his latest book, Overnight, with poet, novelist and journalist Helen Mort.
Known for his lyrical prose and curious spirit, Richards turns his eye to the nocturnal in Overnight — a rich and layered exploration of the world after sundown. In this new work, he ventures into the quiet, often unseen hours of the night to uncover the lives of those who work while the rest of us sleep: bakers, nurses, truckers, and broadcasters. But Overnight is no simple tribute to the night shift — it’s a meditation on the emotional, poetic, and mythic qualities of the night itself.
Expect a conversation rich with curiosity, humour and insight as Richards and Mort delve into the book’s themes — how the night reveals us, shapes us, and holds space for both vulnerability and awe. With Mort’s own deep interest in place, imagination and human connection, the event promises to be a luminous meeting of minds.
This free event is ideal for fans of nature writing, memoir, and stories that reframe the everyday. Come for the conversation, stay for the quiet magic of the night.
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Herd the Word
EVENT OF THE WEEK W.C 31st March 2025
On April 2nd, Sheffield’s Novel bookshop presents an evening with writer and translator Jen Calleja at Tenaya Wine, where she will discuss her latest work, Goblinhood: Goblin as a Mode, in conversation with Glenn from The Library of Lazy Thinking.
This collection of essays and poetry explores Calleja’s concept of ‘goblinhood’—a perspective that weaves together pop culture, grief, desire, and personal transformation. Doors open at 7pm, with the discussion starting at 7:30. Copies of Goblinhood: Goblin as a Mode will be available to purchase, with the opportunity for book signings.
Calleja is an acclaimed writer and translator, known for her translation work, including of The Pine Islands by Marion Poschmann, which was shortlisted for the 2019 International Booker Prize. She has also published poetry and fiction, bringing a distinctive voice to contemporary literature.
This event is organised by Novel, an independent Sheffield bookshop known for its thoughtful selection of fiction, non-fiction, and poetry. Novel regularly hosts literary events, supporting both emerging and established writers while fostering a vibrant book-loving community.
Leading the conversation is Glenn Fisher from The Library of Lazy Thinking, a Sheffield-based platform dedicated to exploring experimental ideas and creative discussions. Through events, readings, and artistic collaborations, The Library of Lazy Thinking provides a space for unconventional and thought-provoking conversations.
The evening will take place at Tenaya Wine, a relaxed and welcoming wine shop and bar in Crookes, founded by Sarah Hatton and Virginia Myers. Inspired by California’s laid-back wine culture, Tenaya specializes in sustainable wines and highlights female winemakers, making it an ideal venue for a literary gathering.
With a fascinating writer, a thought-provoking discussion, and the warm, inviting setting of Tenaya Wine, this promises to be an unforgettable evening for book lovers and curious minds alike.
Tickets are £11.99 and available now via Novel Sheffield’s website: Book here.
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Herd the Word
EVENT OF THE WEEK W.C 24th March 2025
Find your inspiration at a new art exhbition at Leah's Yard Gallery
This week in Sheffield seems a slightly quieter one for actual 'word' events - the perfect time to find your inspiration elsewhere. And where better than from art inspired by nature?
Opening on Friday 28th March, The Yard Gallery will unveil “City to Peaks,” a stunning new exhibition capturing the contrast between Sheffield’s urban energy and the breathtaking landscapes of the Peak District. The exhibition will run for six weeks, offering visitors a chance to explore how artists interpret the relationship between city life and the natural world.
Whether it’s the industrial textures of Kelham Island, the peaceful woodlands of the Porter Valley, or the dramatic gritstone edges of Stanage, each piece tells a story of place, identity, and artistic vision.
Featuring a diverse mix of paintings, prints, and mixed-media pieces, the collection showcases both established and up-and-coming local artists who draw inspiration from Sheffield’s streets and the rolling hills beyond. We are going to be looking out for the four concrete and acrylic pieces by talented creative Paul Stockley (of Blue Jazz Seven who we have previously reviewed)
Located in Leah’s Yard on Cambridge Street, The Yard Gallery provides the perfect setting for this exhibition, inviting visitors to step inside and experience the beauty of both city and countryside through a creative lens.
“City to Peaks” is free to visit, and art lovers, locals, and tourists alike are encouraged to stop by and immerse themselves in this unique artistic journey. For more details, visit The Yard Gallery’s website
And advance notice for writers - if you feel truly inspired, Graves Art gallery is running a 'Write from the Art' workshop on 1st May. More information here
22.03.25
REVIEW: THE LIBRARY OF LAZY THINKING PRESENTS AN INSPIRING EVENING OF MUSIC AND LITERATURE @ SIDNEY & MATILDA
HERD VERDICT:🐘🐘🐘🐘🐘
Review by Charlotte Sometimes
Some events feel special from the moment they begin, and The Library of Lazy Thinking’s first evening at Sidney & Matilda was undoubtedly one of them.
Organised by writer Glenn Fisher—author of a bestselling book and the creator of The Library of Lazy Thinking podcast—the night was a celebration of literature, music, and creative inspiration. Fisher’s passion for bringing together talented artists was evident in every aspect of the event, and it was clear that both the performers and the audience deeply appreciated his dedication.
The theme for the evening was “inspiration,” and that was exactly what we got.
The night kicked off with Scottish author David Keenan, whose reputation for blending the mystical with the deeply personal preceded him. He read excerpts from his novels For the Good Times and Xstabeth, the latter accompanied by fascinating commentary on William Blake’s prophetic narratives and the nature of memory. Keenan’s performance was spellbinding, drawing the audience into his world with an intensity that set the tone for the evening.
Next up was the excellent Andrew DR Abbott, a Bradford-based musician known for his rock background but who has recently ventured into more experimental, instrumental territory. His performance was a masterclass in mood and texture, as he played a selection of compositions inspired by the natural world on a variety of instruments (our favourite being the beautifully named Ballad of the Empty Tortoise shells based on the local children’s rumours of a magical island) His ability to create atmosphere was truly remarkable, and he fully embraced the evening’s theme.
Ending the first half was a real highlight: the phenomenal Helen Mort. A poet, novelist, and non-fiction writer, Mort is one of those rare performers who makes poetry feel both personal and universal. Engaging, comedic, and refreshingly self-deprecating, she had the audience hanging on her every word before she even began reading. When she did, it was nothing short of extraordinary. Her reading of recently published poem Sertraline was particularly powerful followed by a short story about a woman alone in a bar from a collection of stories with this premise that Mort claims “no publisher wants”. Clearly audiences do though (publishers; take note!) and the story was both poignant and darkly funny. She closed with Difficult Women, a sharp and satirical commentary on society’s attitudes towards “a species of woman!”. It was a perfect way to send the audience off for the interval—smiling, inspired, and definitely a little in awe.
During the break, attendees could visit the well-stocked bar or browse books from the evening’s featured writers, thanks to Sheffield’s independent bookstore Novel. It was a lovely way to support both the artists and local booksellers.
Returning from the break, the audience was met with a performance by Lias Saoudi, frontman of the successful band Fat White Family. Venturing into the world of spoken word, his narrative poems explored more grimy themes. His set was perhaps the most divisive of the night—his raw and unapologetic style certainly left an impression, though it might not have been for everyone. That said, it’s this kind of unpredictability that makes events like these so exciting.
The musical portion of the night closed with the affable and enchanting Loic J Tuckey, whose set was infused with travel-inspired storytelling. One particularly magical moment came when he played a song inspired by a meteor shower in New Mexico, reminding the audience that “it’s always a good idea to wish upon a star.” His set had a warmth and intimacy that made for a truly beautiful ending to the music segment.
Finally, David Keenan returned to the stage to close the evening, leaving the audience once again captivated by his words, energy, and undeniable talent.
The Library of Lazy Thinking has tapped into something special with this event. Bringing together literature and music in such an intimate and thoughtfully curated way feels like a natural extension of Sheffield’s already thriving creative scene. With a growing community of spoken word lovers, book clubs, and writing groups, there is undoubtedly an appetite for more nights like this—and the sold-out audience at Sidney & Matilda proves it.
Huge thanks to Glenn Fisher and all the performers for an unforgettable evening. Here’s hoping for many more to come.
For more information on the The Library of Lazy Thinking the artists featured and Novel, check out the links below:
21.03.25
SUTCO: RECENT TRIUMPHS AND UPCOMING SHOWS
By Charlotte Sometimes
Images of recent production of The Effect, courtesy of Emilia Lodge on behalf of SUTCo
For over 65 years, Sheffield University Theatre Company or SUTCo has been at the heart of Sheffield’s student theatre scene, consistently producing bold and exciting work. As one of the leading student theatre companies in the country, it stages between six and eight productions each year, showcasing everything from beloved classics to innovative new writing. What makes SUTCo truly special is that it is entirely student-run—every production is brought to life by a dedicated team of students handling everything from acting and directing to set construction and publicity.
This semester’s second production, The Effect, (previewed previously by Sheff Herd) followed the success of Accidental Death of an Anarchist and continued SUTCo’s streak of impressive performances. With strong ticket sales and glowing reviews from both critics and audiences, the production was a testament to the company’s ongoing popularity and artistic ambition.
Directed by Emilia Lodge in her directorial debut, the play tackled the challenges of an intimate four-person cast and a minimalist stage with remarkable finesse. Reflecting on the experience, Lodge shared: “I couldn't have imagined a better company to work with. The cast and crew worked tirelessly to produce this play, and all their efforts really paid off. It’s so hard with a play with only four people on quite an empty stage, but the four actors completely captivated audiences. I felt like I was watching it fresh every night, even though I’d seen it a million times in rehearsals! I’m so proud of them all and what we made together.”
Looking ahead, SUTCo’s next production is It Came From The Ice, an original horror play written by University of Sheffield student Luke Hookham. Audiences can expect a thrilling and chilling experience.
Perhaps the most exciting news for the company this year is its upcoming trip to the Edinburgh Fringe Festival this summer. SUTCo will be taking Peace Circle, a brand-new play by Lucy Singer, to the world’s biggest theatre festival—a huge achievement and a sign of the company’s ever-growing ambition.
With an exciting slate of productions and growing recognition, SUTCo continues to prove why it remains such a vital part of Sheffield’s theatre scene.
For more information about SUTCO, visit the website or follow their Instagram
For more information about It Came From the Ice, follow Instagram
For more information about Peace Circle, follow Instagram
20.03.25
REVIEW: A STREETCAR NAMED DESIRE
@ THE CRUCIBLE THEATRE
HERD VERDICT:🐘🐘🐘🐘🐘
Review by Charlotte Sometimes
Production Photography: Marc Brenner
Tennessee Williams’ A Streetcar Named Desire is one of the most haunting and emotionally charged plays of the 20th century. First performed in 1947, with a striking and memorable film adaptation in 1951, the play has been a favourite with audiences, actors and producers since day one. The play explores themes of desire, mental fragility, and the brutal clash between illusion and reality. At its heart is Blanche DuBois, a fading Southern belle whose delicate world crumbles when she seeks refuge with her sister Stella in a steamy New Orleans apartment. What unfolds is a gripping battle between Blanche’s illusions and the raw, unrelenting force of Stanley Kowalski, Stella’s domineering husband. Williams’ masterful use of symbolism—particularly light and music—deepens the play’s psychological intensity, making it a challenge for any director to stage effectively.
Sheffield’s Crucible Theatre rises to that challenge magnificently, delivering a Streetcar that is both visually stunning and emotionally devastating. From the moment Blanche steps into the Kowalski apartment, the production expertly captures the oppressive atmosphere of the play. The Crucible's thrust stage (as opposed to the traditional proscenium arch of The Lyceum) provided the perfect setting for the suffocating intensity of 'The Quarter" and its inhabitants. The use of a rotating stage is particularly effective, mirroring Blanche’s growing disorientation as her world shifts beneath her feet. Scenes glide seamlessly into one another, heightening the sense of inevitability as Blanche’s fate is sealed.
Lighting—always a crucial motif in Streetcar—is used with precision and artistry. Blanche famously avoids bright light, preferring the soft glow of lanterns and candlelight to shield herself from reality. Here, the lighting design becomes an extension of her psyche, flickering between warmth and starkness as her illusions unravel. When she is finally forced to confront the truth, the cold, glaring light that falls upon her is almost unbearable to witness.
Music, too, plays a vital role in setting the mood. The melancholic strains of a distant polka melody, performed expertly by an onstage pianist weave in and out of the action, underscoring Blanche’s memories and internal torment. Frequent lyrical refrains are beautiful and melancholic throughout. The production’s use of sound is deeply affecting, from the ghostly echoes of the past to the jarring bursts of noise that punctuate Stanley’s violent presence. The direction from Josh Seymour is masterful.
The entire cast is outstanding, but it is the two central performances that elevate this production to something truly extraordinary. Joanna Vanderham delivers a breathtakingly fragile yet defiant performance of Blanche, capturing every nuance of her descent. She brings a heartbreaking likeability, and, at times a comedic edge, along with a superb vulnerability to the role, making Blanche’s final moments all the more devastating. Opposite her, Amara Okereke certainly does bring the "star" to Stella and is equally compelling. Their chemistry is electric, and their shared scenes—especially those in which Stella is torn between her love for Blanche and her devotion to Stanley—are nothing short of mesmerising.
The rest of the ensemble is equally strong, with a Stanley (Jake Dunn) who exudes raw, unsettling machismo and a Mitch (Tayla Kovacevic-Ebong) who brings heartfelt tenderness to his doomed romance with Blanche. The direction ensures that no moment is wasted, no gesture without meaning. This Streetcar does what all great productions should—it makes the familiar feel original, and the tragic feel inevitable.
By the time the famous final line is uttered—“I have always depended on the kindness of strangers”— a line which actually delivered a cathartic sigh from the audience on Wednesday - it is clear that this is a production that will linger in the mind long after the "beautiful dream" is over and lights have faded. An absolute triumph.
Tickets are limited but still available here, with performances running until 29th March.
You don’t want to miss out.
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Herd the Word
EVENT OF THE WEEK W.C 17th March 2025
The Library of Lazy Thinking Presents An Inspiring and Intimate Evening of Literature and Music @ Sidney & Matilda
Sidney & Matilda is excited to host the inaugural Library of Lazy Thinking Live Show, an evening that promises a captivating blend of literature and music. This event features readings and performances from a lineup of distinguished artists:
• David Keenan: Celebrated author known for his innovative narratives that push the boundaries of contemporary literature.
• Helen Mort: An award-winning poet and novelist whose work often explores themes of place, identity, and the natural world. Helen also contributes to Sheff Herd and we are excited to support her!
• Lias Saoudi: writer, artist and frontman of the band Fat White Family, he will bringing his unique perspective and artistic flair to the evening.
• Andrew DR Abbott: A musician renowned for his experimental approach and genre blends.
• Loic J Tuckey: An eccentric performer known for his eclectic style and engaging stage presence.
The event is structured in two parts, with an intermission, providing ample opportunity to enjoy the ambiance.
In addition to the live performances, attendees can explore a pop-up bookshop curated by Novel, offering a selection of literary works to peruse and purchase.
At the time of writing, this event has sold out. However, it is still our event of the week because we are hopeful that the night will return.
Click the links to check out the work of all the artists featured.
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Herd the Word
EVENT OF THE WEEK W.C 10th March 2025
Sheffield University SUTCO Presents The Effect
The University of Sheffield has long been a centre for exciting and thought-provoking theatre, with a history of staging productions that challenge and inspire. From contemporary works to classic texts, SUTCO’s performances continue to showcase emerging talent and bold storytelling. The Effect, running from 12th to 15th March at the Drama Studio, is the latest must-see production, offering an intelligent and emotionally charged exploration of love, science, and ethics.
Connie and Tristan, two strangers taking part in a clinical drug trial, find themselves drawn to each other. But as their connection deepens, doubt creeps in—are their feelings real, or just a side effect of the experimental antidepressant they’ve been given? As their passion grows, the doctors overseeing the trial struggle with their own complicated history and the moral dilemmas at the heart of their work.
Written by University of Sheffield alumna Lucy Prebble, The Effect is a sharp, moving, and darkly funny play that examines the fine line between chemistry and emotion. With a script that blends heartbreak and humour, it asks urgent questions about the nature of love and the limits of science.
‘A play for people in love and in sorrow’ – Lucy Prebble
Doors open at 7PM, with performances starting at 7:30 PM. Tickets are priced between £6-8 and are available here
04.03.25
PREVIEW: SHEFFIELD PHILHARMONIC ORCHESTRA, HALLAM CHORAL SOCIETY, SHEFFIELD MUSIC HUB AND OPERA ON LOCATION PRESENT CARMEN @ CANON MEDICAL ARENA
By Nat Up North
Photos by Gareth Widdowson
I can’t take my eyes off what’s unfolding in front of me. A woman crouches in the centre, fear flickering in her eyes as dancers chant around her. The tension is electric. Honestly? I’m a little afraid.
But what am I doing? I’m sitting in a conservatory, watching a studio run of Carmen, the upcoming collaboration between Sheffield Philharmonic Orchestra and Opera on Location. This isn’t even the full dress rehearsal, yet I’m already hooked.
This production is a landmark event, celebrating both Sheffield Philharmonic’s 80th anniversary and 150 years since the death of Bizet. Bringing it to life is a powerhouse collaboration: Sheffield Philharmonic, Opera on Location, Hallam Choral Society, and the Sheffield Music Education Hub.
I caught up with Rosie Kat, Director, and Gareth Lloyd, Co-producer and lead male role. “This has been in the works for about a year now,” they tell me. “We secured Arts Council funding last summer, and after months of individual rehearsals, it’s amazing to see everything finally coming together.” Rosie adds, “It’s a real collaboration—everyone brings ideas, from staging to character development. We’ve even introduced a new character – the detective investigating a murder.”
This is Carmen with a twist. Carmen is a timeless opera, traditionally performed in four acts across different locations, following Micaëla as she watches her boyfriend abandon her for the irresistible Carmen—who, in turn, catches the eye of champion bullfighter Escamillo. The story spirals into a gripping tale of love, betrayal, revenge, and scandal.
But this Carmen isn’t just a retelling—it’s a bold reimagining. Updated for a modern audience, the production takes full advantage of creative license. The venue itself, Canon Medical Arena—home to the Sheffield Sharks basketball team—becomes an oversized detective board, giving audiences a bird’s-eye view of a murder mystery unravelling before them. “We were thrilled to collaborate with Canon Medical Arena,” Rosie explains. “It’s the perfect setting for our final act, which, in our version, is a wrestling match instead of the traditional bullfight.”
Even in rehearsal, the energy is palpable. I watch two arias—one a chilling nightmare sequence (yes, an actual nightmare played out on stage), the other introducing the champion wrestler. Within minutes, I’m on the edge of my seat, already cheering his arrival.
I am, by no means, an opera aficionado. In fact, I’ve never been to the opera before. But if these early glimpses in a tiny Sheffield conservatory can mesmerize me, I can only imagine what the full production will do.
The full production of Carmen runs on Sunday, 23rd March, at 3pm at Canon Medical Arena, Attercliffe, Sheffield.
You can find more information and buy tickets here
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Herd the Word
POETRY SPOTLIGHT:
Will Ashurst
Our first featured poet is Will Ashurst who has had a tremendous year of honing his craft at spoken word and open mic nights across the city.
This poem 'Mercury and Vulcan' is about the changing identity of Sheffield in the 2020s.
Mercury and Vulcan
Vulcan stands, creator God, in all his majesty,
Locked in faded copper like his sister liberty.
Over the sons of Sheaf Field he wields his hammer great,
To forge each knife and plough and scythe into an armored plate.
And now his sibling Mercury is standing once again,
Upon sweet Dramas’ noble tower; now must start the reign,
Of Industrious Creativity, of Nature intertwined,
With the function of our everyday and the Ether of our minds.
And so sweet Hope (Our last true God) in her Glory repairs
To the Pipes of Pan, back through the Fall of Man, we return to Upper Air,
And fair Sophia blazes forth to light that gloomy cell,
To break us out from Plato’s Cave, that dark and twisted spell.
To read more of Will's work, follow his Instagram page here
Fancy having your poetry featured? Submit your work here
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Scene and Herd EVENT OF THE WEEK
W.C. 3rd March 2025
Indie Beer Feast @ Trafalgar Warehouse
Sheffield Beer Week returns from 10th to 16th March 2025, celebrating the city’s thriving brewing culture with a packed schedule of tastings, talks, and events across some of the best pubs, bars, and breweries.
The week unofficially begins with the Indie Beer Feast on 7th and 8th March at Trafalgar Warehouse, a lively showcase of independent craft breweries offering a diverse selection of beers, natural wines, and ciders.This two-day festival offers a carefully curated selection of craft beer, natural wines, fine ciders, and delicious street food.
With a strong focus on quality and innovation, the festival showcases a diverse lineup of breweries, pouring everything from hop-forward IPAs and deep, complex stouts to crisp lagers and experimental mixed fermentation beers. Brewers will be on hand to chat about their creations, giving visitors the chance to learn more about the craft behind each pour.
Beyond the drinks, Indie Beer Feast is a welcoming and inclusive space, embracing the Everyone Welcome Initiative to ensure a friendly atmosphere for all. Whether you’re a dedicated beer enthusiast or just looking to explore something new, there’s something for everyone—including gluten-free, alcohol-free, and low-alcohol options.
Tickets tend to sell out quickly, so booking in advance is recommended. For more details and to secure your place, visit Gigantic Tickets.
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Herd the Word
EVENT OF THE WEEK W.C 24th February 2025
Verbal Gerbil – A New Spoken Word Cabaret Lands in Sheffield @ Haggler's Corner
If you like your words lyrical, rhythmic, and a little bit unpredictable, then Verbal Gerbil might just be your new favourite night out. This brand-new spoken word cabaret, hosted by poet and performer Stan Skinny, debuts at Haggler’s Corner on Wednesday, 26th February, promising an evening packed with poetry, storytelling, and musical wordplay.
Bringing together Sheffield’s vibrant spoken word scene with the free-flowing spirit of Footprints Jazz Club, Verbal Gerbil is all about celebrating the art of language in its many forms. Expect a mix of poetry, prose, monologues, and lyrical experimentation, all in an intimate, welcoming setting.
Headlining the first edition is Ichabod Wolf, a Derbyshire-born singer-songwriter with a flair for poetic, brooding lyricism. His music, including tracks from his album Too Good to Be True, has been praised for its depth, intelligence, and darkly witty observations on life.
With an open invitation for anyone to come along and soak up the words, Verbal Gerbil looks set to be a fresh and exciting addition to Sheffield’s thriving spoken word and live literature scene. Entry is Pay What You Feel, with a suggested donation of £5.
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Herd the Word
EVENT OF THE WEEK W.C 17th February 2025
This week, Sheffield Central Library is hosting two inspiring events.
My Mind on Paper: LGBTQ+ Readers and Writers Panel - Wednesday 19th February @ 6pm
As part of LGBTQ+ History Month, this engaging panel discussion will bring together LGBTQ+ writers and readers to explore the importance of queer narratives across different forms of writing, including novels, scripts, poetry, fan fiction, and personal diaries. The event will highlight the power of storytelling and the impact of DIY publishing in LGBTQ+ literature.
The event is hosted by Fiona Moorcroft from SAYiT, a Sheffield-based charity that helps LGBTQ+ young people. SAYiT offers support groups, mentoring, and mental health resources to create a safe and inclusive community.
The session on Wednesday will conclude with an interactive Q&A, giving attendees the chance to ask questions and share their thoughts on queer representation in literature. The event is free but reserve your place here
Poetry Sharing: Characters in Verse - February 22nd @10am (18+)
The second event of the week at Sheffield Central Library is a poetry-sharing session focused on characters in verse. Attendees are encouraged to bring along poems—either their own work or a favorite piece by another writer—that capture interesting, complex, or memorable characters.
This informal gathering is a chance to share and discuss poetry in a relaxed setting, whether you’re a seasoned writer or simply a lover of words.
The event is free but reserve your place here
15.02.25
REVIEW: STRANGE BRITAIN PRESENTS:
A VERY V*****T VALENTINES
@ SHEFFIELD PLATE
HERD VERDICT:🐘🐘🐘🐘🐘
Review by Charlotte Sometimes
Adrian Finney is a well-known figure in Sheffield’s paranormal and historical storytelling scene. Once a teacher, he took a leap into his passion for history and the macabre, beginning with his book Strange Sheffield—a must-read for locals who enjoy a good scare (we’ve already spooked ourselves out with a copy!). His ghost walks have since become a city staple, often selling out, and he’s even made appearances on BBC Radio Sheffield. It’s clear why his strange Britain events are so popular: Adrian brings history to life with charisma, humour, and an undeniable flair for storytelling.
Sheffield Plate proved to be an excellent venue for this evening of dark delights. With a wide variety of food vendors upstairs (a top tip: grab your food before the event, as they close after the shows), and a superbly sized room downstairs, it was the perfect space to host a night of crime, intrigue, and Victorian scandal. The room was almost full - Adrian’s biggest show yet- and the performance area provided just the right stage for his captivating presence and infectious enthusiasm.
Dressed to impress in a fabulous velvet suit and a ghost-themed shirt, Adrian set the scene for the night. The evening was structured into three sections, with well-timed breaks for drinks and comfort stops, ensuring everyone stayed refreshed and engaged. Audience participation was encouraged, but never in a way that felt forced or uncomfortable—just another testament to Adrian’s skill as a host.
The stories themselves were gripping, a deep dive into Sheffield’s bloody past. Crime and intrigue were the themes of the night, with a particular focus on the many Marys and Thomases of history (“there weren’t many names back then!”). Adrian’s extensive research and knack for pacing meant that every tale held the audience spellbound, punctuated by jokes and surprising facts that kept the mood lively.
The final section of the night took a more risque turn, with audience-created Victorian personal ads and some eyebrow-raising insights into the spicier side of 19th-century romance—fitting for a Valentine’s event with a twist!
Adrian’s warmth and natural storytelling ability made the night truly special. Engaging, approachable, and a true raconteur, he made history feel immediate, thrilling, and even a little bit wicked.
For those who missed out, fear not—Adrian runs special events across various Sheffield locations, and his ghost walks are a must for anyone looking to uncover the supernatural side of Sheffield.
If you’re a fan of dark history, ghostly tales, and an evening of brilliantly delivered storytelling, make sure to check out Strange Britain’s next event. You won’t regret it!
You can find more about Adrian Finney's books and upcoming events here:
• Strange Britain Eventbrite
12.02.25
REVIEW: PASSING PLACES
@ THE LANTERN THEATRE
HERD VERDICT:🐘🐘🐘🐘🐘
Review by Charlotte Sometimes
Production Photography: Cein Edwards
The Lantern Theatre, nestled in Sheffield’s Nether Edge, is the city’s oldest surviving theatre and a hidden gem of its cultural scene. Originally built in 1893 by cutlery manufacturer William Webster as a private family venue, it later fell into disuse before being rediscovered and restored in 1957 by local actor and drama teacher Dilys Guite. Now a Grade II listed building, the intimate 84-seat theatre is home to the Dilys Guite Players, a dedicated community theatre group that stages a variety of high-quality productions. Among these was tonight’s play- Bethany Whittaker’s directorial debut of Passing Places. And what an achievement this was!
Passing Places by Stephen Greenhorn is a fast-paced Scottish road trip comedy that follows two young men, Alex and Brian, as they escape their mundane lives in Motherwell and embark on an eventful journey to the Highlands. Along the way, they encounter a series of eccentric characters, including a philosophical surfer, a free-spirited woman, and a vengeful gangster who is after them for stealing a surfboard. The play blends humour with themes of self-discovery, friendship, and the contrast between urban and rural Scotland. With its mix of sharp dialogue, dynamic storytelling, and heartfelt moments, Passing Places captures the spirit of adventure and personal transformation. It has been aptly described as a “road movie for the stage”.
From the moment the lights went up on this opening night, it was clear that this production of Passing Places was something special. The staging was brilliantly conceived, with meticulous attention to detail that transported the audience straight into the heart of Scotland. From the Irn-Bru cans to the well-worn sofa ingeniously transformed into a Lada car (“why couldn’t he choose a Capitalist car rather than a Communist one?”), every prop was carefully chosen to enhance the story. The music—mostly Scottish artists—set the perfect tone, and the screen showing real footage of the locations in the play captured the essence of the ultimate Scottish road trip. Even the signposting at the front of the stage added to the immersive experience, making the whole production feel authentic and alive.
At the heart of this success was a talented and versatile cast. Andrej Panic delivered a superbly believable performance as Alex, a lost soul who grows and evolves throughout the play, displaying a sharp sense of comic timing. Ryan Pugh’s portrayal of Brian was deeply moving, his emotional range and naturalistic performance making him a character we couldn’t help but root for. Agnetha Louise Spencer brought warmth and charm to Mirren, a truly likeable female protagonist whose chemistry with Panic helped drive the narrative beautifully. Anna Barker’s ability to seamlessly take on multiple roles was impressive, but equally striking was her stunning singing voice, which added an extra layer of depth to the production.
Alistair Mackay’s Binks also impressed —an almost Begbie-like antagonist with a menacing vibe that kept the audience on edge. Christy Fitzsimons performance was a real standout as he delivered an array of comic roles with great versatility and energy, while Phil Eardley’s performance as Mirren’s father was genuinely moving. Shuqi Yu also delivered several roles with believability in addition to the heavy lifting duty of the sofa car. And a special mention must go to Sue Burgess, who nailed sign swaps and a brilliantly timed rude hand gesture! This ensemble cast embodied what this company is all about: community, heart, and immense talent.
Bethany’s directorial debut is nothing short of remarkable. Her dedication to Passing Places goes back years—it was her acting debut at school, and she was so committed to understanding the story that she even travelled to Thurso to immerse herself in the characters' experiences. That same passion shines through in this production, as she has brought together a cast and creative team with ingenuity and real artistry. If this is just the beginning of her career, we are undoubtedly witnessing the rise of a talented director.
Tickets are still available here, with performances running until 15th February. You don’t want to pass on this one!
For more information about The Lantern Theatre, check out their website
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Herd the Word
EVENT OF THE WEEK W.C 10th February 2025
Sword & Scribe: A Creative Writing Meet-Up for Storytellers of All Kinds
Calling all writers, world-builders, and daydreamers—Sword & Scribe is back for another monthly gathering, this time at Kommune on February 11th from 7:30pm.
Launched last year, Sword & Scribe is an informal, unstructured meet-up for anyone who loves to write. Whether you’re deep into a fantasy novel, crafting sci-fi short stories, or just want a space to jot down ideas and chat with like-minded people, this is the place for you. There’s no pressure—just a relaxed, welcoming atmosphere where writers of all genres and experience levels can connect.
Each month, the group meets in a different location, keeping things fresh and inspiring. It’s a space for writers to connect, share ideas, and find motivation in a supportive environment. Sword & Scribe has some exciting projects in the works, possibly including a zine to showcase members’ work.
So grab a notebook (or a laptop), order a drink, and join Sword & Scribe for an evening of creativity and conversation.
For updates and more information, visit Sword and Scribe Sheff's Instagram page
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Herd the Word
Preview: Passing Places @ The Lantern Theatre
Passing Places by Stephen Greenhorn is a vibrant and humorous play that explores the lives of two friends, Alex and Doug, as they navigate their way through the routines and unexpected twists of everyday life. Set in Scotland, the play delves into themes of self-discovery, friendship, and the search for meaning, all wrapped in witty dialogue and moments of real emotional depth.
The production is presented by The Dilys Guite Players and can be seen at the Lantern Theatre from 11th - 15th February. The Lantern Theatre, a cherished venue known for its community spirit and high-quality productions, provides the perfect backdrop for this story of personal growth and connection. With its intimate atmosphere, this theatre is the perfect 'place' to allow audiences to engage deeply with the characters’ journey.
Don’t miss the chance to witness this heartfelt comedy that blends humour with moments of reflection.
Tickets are selling fast at the weekend and are available here
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Herd the Word
EVENT OF THE WEEK
W.C. 3rd February 2025
Sheffield has always had a knack for producing some of the country's sharpest comic minds. Michael Palin, Suzy Eddie Izzard, John Richardson, Sean Bean (whether he means to be or not!) and Lucy Beaumont all have strong links to Steel City; our dry wit and self-deprecating charm is nationally treasured. But while making people laugh is hard enough, stepping up to a microphone and doing it live is a whole different challenge—one that The Yorkshireman is embracing with its brand-new comedy nights.
Starting on Thursday, 6th February, the rock bar introduces ‘Late Night Laughs’, bringing some of the best up-and-coming comedians to the stage from 10pm onwards. Then, on Wednesday, 19th February, the bar hands the mic over to the audience with a comedy open mic night. Anyone feeling brave can sign up for a five-minute slot between 7- 7:30pm, giving both first-timers and seasoned comics a chance to test their material.
Whether you’re there to watch or take part, The Yorkshireman’s new comedy nights are set to bring some fresh laughs to Sheffield’s stand-up scene.
29.01.25
REVIEW: 'IT COMES FROM THE RIVER'
THE DEBUT NOVEL BY RACHEL BOWER
HERD VERDICT:🐘🐘🐘🐘🐘
By Helen Mort
Last night saw a full house upstairs at Orchard Square Waterstones for the sold out launch of Rachel Bower’s debut novel ‘It Comes From The River’, published by Bloomsbury. There was a swell of applause as soon as Rachel held up the hardback copy of her book.
This reception will come as no surprise to anyone who knows Rachel and her work as a poet, academic, mentor, facilitator and all round force-for-the-good in the Sheffield writing scene. From setting up ‘Verse Matters’ poetry night to amplify the voices of other artists to her performances and workshops, Rachel’s presence has always been an empowering and positive one – she’s a writer of immense integrity with a concern for social and environmental justice.
Rachel’s preoccupations as a poet are played out in her first full-length work of fiction: ‘It Comes From The River’ is a tense and compelling account of the lives of three women who are drawn together by circumstance and who discover a strange alchemy (and fierce power) in the way their lives overlap. Alex is surviving domestic abuse. Lauren has been backed into a corner by poverty and is doing her best to support her young boys. Nancy has been placed in a care home. They’re all in the same town, overlooking the same wild river, haunted and intrigued by the same stories and visions. In the background, there’s the unsettling presence of the gytrash, a supernatural being who symbolises the possibility of change and transition.
Through the lives of these three women, we gain insight into the care system, the world of mother and baby units and the biases of the criminal justice system. The odds are stacked against Lauren, Alex and Nancy. But they also encounter the kindness of strangers and find strength in the support of other women. This is a story of resilience, above all. The novel may be unflinching but it is ultimately hopeful.
At the launch, Rachel read from a chapter where Lauren is being sentenced for low value theft in court, the words of the judge set against her internal monologue, a swirl of fairytales and bodily sensations. The prose was sparkling - visceral image after visceral image. The rhythm was striking too - it had the cadences of poetry:
A man near the front gets up, his voice swimming slow, addressing the giant who will eat us all – the accused – at the bottom of the beanstalk – clear evidence – left without paying for eight items – wash her away – bed without supper – and I wish for an axe, for gold, for a singing harp – three food items and five toiletry items – nettles that sting – lip balm, tweezers, fun size chocolate bars, honeyed peaches – and they all lived – not for her personal use – and they all lived – climb now, climb through the burn, Lauren, hold on –
Rachel spoke about how important sound was to her when crafting the book, how vital it was to her that this should be a ‘northern’ novel, written for flat vowels, but also how she attended to the rhythm of each section, each sentence. As Clare Fisher pointed out in an endorsement for the book, ‘It Comes From The River’ is ‘poetic’. On a line-by-line level, it engages the reader’s whole body: we feel what the characters feel, we are invited to live inside them. This makes for an intense and often emotional reading experience. An open mouth is a ‘black egg’. The eyes of the gytrash are ‘saucers of fire’. A girl’s fear is expressed by the way her ‘scalp tingled ice’. The sound of the river is ‘static’ and the moon is a ‘bone-white shining’.
To call a novel ‘poetic’ is a huge compliment in stylistic terms, but it can sometimes imply that the author has prioritised sound-over-substance, that intricately constructed sentences come at the expense of plot. Not so here. ‘It Comes From The River’ is a novel you want to devour in one sitting because it has so much narrative momentum. The plot is carefully constructed and there’s a significant ‘twist’. Plenty happens in these pages. It is a beautifully-written page-turner which will increase your capacity for empathy and make you believe in subtle, daily magic.
'It Comes From The River' by Rachel Bower is available to buy from Bloomsbury Publishing
Read more about Rachel Bower on her website
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Herd the Word
EVENT OF THE WEEK
W.C. 27th January 2025
The Something Strange Book Club is back for 2025, diving into the fascinating world of books adapted into films. This unique free monthly club brings together fans of literature and cinema to explore how stories transform across mediums. The first meeting of the year takes place on 30th January 2025 at the Boston Arms in Woodseats, a welcoming pub known for its cozy atmosphere and great selection of craft beers – the perfect setting for lively discussions and new friendships.
The January pick is Piercing by Ryu Murakami, a dark and gripping novella that delves into the unsettling world of obsession, trauma, and violence. The story follows Kawashima Masayuki, a seemingly ordinary man with a deeply disturbing urge. When he decides to act on his compulsions, his plan is thrown into chaos during a tense encounter with a call girl. The 2018 film adaptation, directed by Nicolas Pesce, amplifies the book’s eerie and surreal tone with stylish visuals and a haunting score.
Looking ahead, Something Strange has an exciting lineup of monthly meet-ups you won’t want to miss. February’s choice is the quirky and heartfelt Nick and Norah’s Infinite Playlist, a romantic coming-of-age tale filled with youthful energy and an unforgettable NYC backdrop. March will feature The Witches of Eastwick, a darkly magical and devilishly humorous exploration of power and desire.
For more details on upcoming reads and discussions, check out their Facebook page or Instagram page, where you’ll find regular updates and sneak peeks at future picks. Whether you’re a bookworm, film buff, or just love thought-provoking conversation, the Something Strange Book Club promises an engaging and welcoming experience.
19.01.25
REVIEW: PRIDE AND PREJUDICE* (SORT OF) @ LYCEUM THEATRE
HERD VERDICT:🐘🐘🐘🐘🐘
By Charlotte Sometimes
Jane Austen’s Pride and Prejudice has delighted readers for over 200 years, not least because of its sharp wit and spirited heroine, Elizabeth Bennet. With her refusal to “act in [the] manner” expected of women of her time, Elizabeth has been hailed as one of Literature’s first feminist icons. Austen’s world of grand estates, ballroom dances, and razor-sharp observations of human folly remains as captivating as ever. However, while the novel critiques the limited roles available to women in Regency England, modern readers have sometimes found Austen’s focus on the privileged gentry and her traditional “happy endings” a little restrictive. Where are the servants, the social underdogs, and the voices that Austen’s polite society so often ignored?
Enter Pride and Prejudice (sort of!), an audacious reimagining of Austen’s classic that throws open the doors of Pemberley to include everyone. The play is the brainchild of playwright Isobel McArthur and premiered at Glasgow’s Tron Theatre in 2018, quickly garnering attention for its unique approach. It earned the Laurence Olivier Award for Best Entertainment / Comedy Play in 2022.
The final performance of the five day run at Sheffield’s Lyceum Theatre on January 18th, was a celebration of all that makes this adaptation such a triumph. Performed by an all-female cast of five talented actors who juggle multiple roles, karaoke numbers, and an irreverent love for Austen’s world, this play gives the servants a turn to tell the story. It’s as if the housemaids have finally stolen the fine china, pulled on their employers’ ballgowns, and decided they have some things to say about marriage, manners, and Mr. Darcy.
By bringing a contemporary lens to the story, Pride and Prejudice (sort of!) brilliantly pokes fun at both Austen’s world and our modern preconceptions. The ingenious humour is thanks in no small part to its riotous use of modern props such as a Pringles tub hilariously stuck on a character’s arm, a Jane Aust-bin (for Walter Scott novels) and a Tesco carrier bag wielded with melodramatic flair, keeping the audience roaring with laughter.
Likewise, the lightning-fast costume changes are a spectacle in themselves, with actors darting offstage only to reappear seconds later in absurdly exaggerated garb, adding to the chaotic charm. As the play’s characters step in and out of their roles, dropping snarky asides or bursting into Carly Simon’s You’re So Vain, the audience is reminded that some dilemmas—finding love, defying expectations, and managing egos—are timeless.
The cast delivered each line, gag, and pop ballad (especially Sheffield royalty Pulp’s Something Changed) with the same precision that Austen herself brought to every cutting observation about humanity. The result was a performance that didn’t just adapt Austen—it embraced her wit and gave it a 21st century twist. Perhaps Elizabeth Bennet herself would have approved, declaring it “a truth universally acknowledged” that this was a night to remember.
For future performances of the play, visit the website
For upcoming performances at The Lyceum, visit the Sheffield Theatres website
A Sheffield Theatres Interval Tradition:
local ice cream from Our Cow Molly
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Herd the Word
EVENT OF THE WEEK
MONDAY 20TH JANUARY
Although it technically takes place the following week, we’re taking a bit of poetic license to highlight an unmissable Sheffield event: Guerilla Spoken Word Night at the Gardener’s Rest. On Monday, January 20, 2025, at 7:30 PM, this free and inclusive evening invites poets (but prose writers, musicians, and performers of all kinds are welcome!) to share their work in a relaxed setting. Whether you want to perform or just enjoy the show, Guerilla’s warm and supportive atmosphere is open to everyone. Slots are five minutes, and performers can sign up in advance or on the night.
Held the third Monday of the month at Neepsend's Gardener’s Rest, a beloved community owned pub, the event promises creativity, connection, and plenty of inspiration. The night is free to attend (though the pints are extra!).
Whether you’re showcasing your talent or spectating, Guerilla Spoken Word Night is a great way to kick off your week.
For more information or to book a performance slot, contact the Facebook group or sign up on the night!
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Herd the Word
EVENT OF THE WEEK
W.C.6th JANUARY 2025
As keen writers here at Sheff Herd, we are always looking for moments that ignite our creativity... but okay, we admit it: we couldn't pick between two events this week that promise to spark our imaginative spirits so we are featuring both!
The first is on the 7th and is the first of a series of Tuesday night sound baths by Unfurl Sound, hosted by Haggler's Corner. Using a mixture of gongs, crystal bowls and percussion, Emma offers a therapeutic experience that is guaranteed to relax the mind. Tickets are £16 and places limited at 10 per session. Message her via this link to her social media for more information and ticket availability.
And at the end of the week, on Sunday 12th January, a very different but equally inspiring event is being held by Sheffield General Cemetery - a History tour of the Grade II Listed Cemetery. Discover the stories behind some of the 87,000 burials, a glimpse at the fascinating French-style catacombs and learn about the background to some notable figures of Sheffield's past. At the time of writing, earlier walks have sold out but an additional 12:30 walk has been added so grab your tickets here while you still can!
05.01.25
REVIEW: CROOKES COMMUNITY PERFORMERS PRESENT ALADDIN THE PANTOMIME @ CROOKES SOCIAL CLUB
HERD VERDICT:🐘🐘🐘🐘
By Charlotte Sometimes
Images taken from programme (Photographer Kate Hayward)
The Crookes Community Performers have been bringing audiences together annually since 2019 with their delightfully adapted Sheffield-focused pantomimes, hosted at Crookes Social Club, with all proceeds from this year’s show generously donated to the Sheffield Children’s Hospital Charity.
This year’s pantomime Aladdin was a lively and ambitious production that deviated somewhat from the familiar magical tale with plenty of nods to popular culture and film (“Don’t call me Shirley!”) and a myriad of new and reimagined characters, including the Bowie-inspired Jean Genie and a couple of Dames - Sultana Teresa and Cynthia Soggybottom.
Given that the cast had only seven rehearsals together, their commitment and energy were nothing short of remarkable. The script was no lightweight endeavor; packed with intricate dialogue and songs, making the performers’ achievement even more impressive. However, the nearly three-hour runtime felt a little long. At times, some jokes also veered into more risqué territory, which may have been a touch bold for younger viewers at a matinee performance, even by pantomime standards.
There were plenty of highlights in the show and several performances shone brightly. The Mean Genie had a captivating stage presence and a striking singing voice, particularly in the harmonious 'Phantom of the Opera /Genie of the Pantomime’ duet with Jafar - a comedy pairing that worked very well. Likewise, Iago gave a pleasingly enthusiastic performance as an unlikely hero.
Indeed many of the cast were young people who really stole the show - including Angus and MacAngus’ Scottish gifts skit. Equally, the two British fighter pilots delivered perfectly timed humour and were a comic highlight.
Costumes were a real triumph, with Jasmine’s regal dresses, colourful attire for the multifarious genies and the Dames’ outlandish outfits standing out.
The cleverly adapted songs were another high point, with lyrics impressively tailored to the story and performed with enthusiasm.
It was clear throughout that the cast and crew were having a wonderful time. The efforts of those behind the scenes, from the programme sellers to the venue staff, added to the welcoming atmosphere.
Finally, it’s worth reiterating and applauding the company’s generosity in donating proceeds to the Sheffield Children’s Hospital Charity. If you couldn’t attend but would like to contribute to this fantastic cause, visit Sheffield Children’s Hospital Charity.
The sold-out performances are a testament to the enduring appeal of these community productions. It’s heartening to see local theatre thriving and traditions like the Crookes pantomime continuing to flourish. After the show, the company gathered feedback and suggestions for next year’s panto, so keep your eyes peeled for announcements!
This Aladdin may have taken us on a slightly longer magic carpet ride than anticipated, but the journey was packed with laughs, charm, and heartfelt community spirit. Bravo to all involved!
03.01.25
NON FICTION:
New Years Resolutions: Friend or Foe?
By Nat Up North
I love new beginnings—opening the pages of a brand-new book; stepping into new shoes; enjoying the freshness of a newly painted room. Naturally, New Year’s resolutions resonate with me. They provide a sense of time defined structure - you can easily monitor how well you’ve done, the progress you’ve made, how far you’ve come, etc., when you do something from the first of the month or first of the year and so on.
I always give resolutions a go, trying not to stick to just the classics—"drink more water” “eat smaller portions”. Oddly enough, I have more success keeping these types of commitments during Lent than at the start of the year. Even so, I see New Year’s resolutions as another opportunity for new beginnings.
This year, my resolutions are simple but considered. First, I aim to walk more for fun. Those who know me understand how big a challenge this is—being outdoorsy has never been my thing! But the health benefits are undeniable. To avoid the New Year’s Eve hype, I escaped to spend a few days in my favourite place: Seahouses, Northumberland. I began 2025 as I mean to continue—with fresh air and brisk walks along the beautiful seafront (and “brisk” barely covers it; the wind was biting!).
Walking more ties neatly into my second resolution: to experience more of Sheffield. I’m Sheffield born and bred, I extol the fantastic places in Sheffield whenever anyone asks, I am a fountain of praise for all Sheffield has to offer… but I don’t always visit the places that I rave about. That changes this year (though I know I shouldn’t need a resolution to make it happen).
I’m also inspired by Gretchen Rubin’s approach to resolutions and habit formation. She offers creative alternatives, such as choosing a single word as a theme for the year or taking on a numerical challenge, like “Read 25 in 25” or past examples like “Walk 20 in 20” and “Rest 22 in 22.” You can find more details about her ideas here.
Of course, not all resolutions stick—and that’s okay. A few years ago, I resolved to practice mindfulness daily. While I recognise its immense value for others, it simply wasn’t for me. And that’s fine! On the other hand, one resolution that has worked brilliantly was suggested by a friend: avoid buying unnecessary clothes. Not only was this achievable, it helped me appreciate my existing wardrobe, and even saved money.
Whether you love or hate New Year’s resolutions, the key is to embrace the fresh start in whatever way feels right for you – and not beat yourself up if new habits don’t stick! And if your resolution is to avoid resolutions, I’m behind you! As for me, I’m off for a walk – around Sheffield!
Here’s to a fantastic 2025!
'Sunrise over Sheffield' (Ben Johnson)
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Herd the Word
EVENT OF THE WEEK
W.C. 30th DECEMBER
Crookes Community Performers present their 2025 pantomime 'Aladdin' at Crookes Social Club
Crookes Community Performers are set to enchant audiences with their 2025 pantomime, “Aladdin,” at Crookes Social Club in Sheffield. Performances are scheduled for January 3rd and 4th, with both matinee and evening shows each day. This rendition of the classic tale introduces a unique twist: Prince Aladdin is caught in a whirlwind of matrimonial prospects, from his parents’ preference for a noble match to his own affection for a commoner advocating democracy—a notion unlikely to please the Sultan. Amidst the romantic turmoil, mischievous genies threaten to disrupt human history, adding layers of humor and excitement to the narrative.
All proceeds from the performances will be donated to The Sheffield Children’s Hospital Charity, supporting an excellent cause while providing entertainment for the community. Tickets are available for purchase online until 10 PM on December 30, 2024, with limited availability at the door for each performance. Given the anticipated popularity of the show, attendees are encouraged to secure their seats in advance.
Adults £9
Children £5
Family £25 (2 adults & 3 children)
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Herd the Word
EVENT OF THE WEEK
W.C. 23rd DECEMBER
StrangeBritain Presents Sheffield Ghost Tours: A Sheffield Carol - Infamous Bunting Nook
This Christmas Eve, join Strange Britain's Strange Sheffield Ghost Walks for a festive fright with A Sheffield Carol, a ghost walk like no other! Hosted by Adrian Finney, renowned storyteller and author of the Strange Britain series, this event weaves history, humor, and the haunting tale of Dickens’ A Christmas Carol into an unforgettable evening. If you can't make this one, check out the link above for upcoming ghost walk experiences in 2025.
The Christmas eve tour starts at 7 PM on the footpath alongside Saint James Church in Norton and lasts approximately 90 minutes. Don’t miss this unique mix of legends, eerie raconteur performance, laughter, and the supernatural. The weather is even predicted to be dry and mild so no excuse to brave a different kind of Christmas spirit!
Adults £12.50 advance/ £14 on night
Children £8
Tuesday 24th December 2024 @7pm
21.12.24
REVIEW: WINTER'S EDGE POETRY LAUNCH WITH SUSIE WILSON, HELEN MORT AND FIONA HUTCHINGS @ SAMUEL WORTH CHAPEL
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By Charlotte Sometimes
On one of the bleakest, rain-soaked evenings of the year, poetry lovers braved the tempest to gather in the warm haven of the Samuel Worth Chapel. Towering majestically over the atmospheric Sheffield General Cemetery, the stunningly renovated (2018) chapel has become a sanctuary for the city’s creatives, hosting an array of gigs and literary events that never fail to impress. Look out for a Sheff Herd venue spotlight article soon!
The event was compared by Leo, the dynamic drummer of local rock band 'MPTL Microplastics', whose wry wit and natural charisma anchored the proceedings with finesse. His persona was the perfect foil to the powerful voices that took the stage; each poet offering a unique lens on the world.
The evening was opened by prize winning “half poet, half tutor, half clown” Susie Wilson, whose work has been featured in various magazines, journals and anthologies. An incredible survivor of advanced melanoma, Wilson brought an undeniable gravity, dignity but also humour to her poetry launch of Verve Published ‘Nowhere Near as Safe as a Snake in Bed’. Her verses, at once searing and surreal, excavate the fragility of the human condition, weaving themes of mortality, survival and vulnerability with a deft and darkly comic touch. The zoomorphic ‘Wee Sleekit Cowrin’ Beastie’ imagines the melanoma as a mouse; a simile that works on so many contradictory and complex levels which she elucidated for us beautifully. Her visual poem, exploring the growth of her cancer with the determination to overcome it, was delivered to a hushed and reverent silence. And the rest of the collection– authentic, spellbinding, at times heartbreaking and at others laugh out loud funny – not only captures the essence of the cruelty of disease but is also a testament to the incredible spirit and lyrical inventiveness of this exciting Sheffield based poet.
Next on stage was the incomparable Helen Mort, whose reputation as one of Sheffield’s literary powerhouses precedes her. Mort’s poetry is always laced with vivid imagery, ingenious structures and an unflinching emotional core. Her debut collection ‘Division Street’ is a Sheff Herd favourite (for obvious reasons!) but as is always the case with this incredible talent, Mort is experimental in all of her work (poetry, prose and non-fiction) and never produces ‘samey’ texts. Indeed, her latest work Verve published pamphlet Dad vs Dad is a complex interweaving of the account of the Fischer vs. Spassky World Chess Championship with the deeply moving story of her wonderful father who sadly suffered two devastating and life-changing strokes. Mort’s determination and genius means she has created something beautiful from the terrible; a poignant, important and beautiful collection of poems not only honouring her father but also providing a voice, both written and implied, to the emotions a person might feel when losing a parent in some capacity. The poems are visually striking – many are erasure poems with gorgeous collaged images and photographs accompanying them and, as Mort tells us, it's a pamphlet that “needs to be seen”. However, throughout her powerful reading, she had the room rapt; lost in the story of her Father’s past, his strength of character, her love for him and the relentlessly tactician-like handling of the Chess metaphor throughout. Her ability to blend the universal with the intensely personal is nothing short of (Grand) masterful and her performance reminded all present why she remains a beloved pillar of Sheffield’s poetic community.
Finally, self-proclaimed “nerdy, queer, disabled, obnoxiously northern and neurospicy” poet and prose writer Fiona Hutchings took the stage to present her Written-Off published collection ‘Uncommon Labels’. The pamphlet is an evocative interrogation of identity and the boxes we are so often forced into. Like her stage predecessors, Hutchings is an incredibly inspiring and incisively witty poet who has created work that resonates and educates whilst being remarkably entertaining. Her stage persona is captivating – she invites you into her life like a friend and hearing the stories in her poetry of her survival and determination in the face of near-death experiences was humbling. Poems like ‘Let the Students In’ about being a case study for trainee medical professionals, were performed with a raconteur’s talent. Her poems bridge the lyrical and the incisive, offering sharp reflections on society, the quiet rebellions of everyday life and on the things that we love and sometimes lose. On the latter, Hutchings' poem ‘Music Nerd’ powerfully explores her experience of losing a part of her identity – her passion for music - in the aftermath of her brain surgery and her performance of this piece was a deeply moving part of the evening. The final line of this poem “The band will play on/ Until the hourglass has no more grains of sand” perhaps sums up not only Hutchings’ extraordinary spirit but that of the other two poets too.
After the show, all the collections were available to buy from our local independent bookstore Rhyme and Reason (visit the shop – it’s a treasure trove!). You can buy their collections in store or via links on the poets' websites.
The night was a testament to why Sheffield remains a crucible for poetic talent. The city’s vibrant literary scene thrives on its sense of community, its willingness to embrace both emerging voices and established figures, and its ability to transform the darkest evenings into nights of illumination.
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Herd the Word
EVENT OF THE WEEK
W.C. 16TH DECEMBER
Winter's Edge Poetry @ The Samuel Worth Chapel with Fiona Hutchings, Helen Mort and Susie Wilson
A real treat for poetry lovers - three of our most dynamic and acclaimed Sheffield resident poets will be performing work from their new collections in the magnificently restored Samuel Worth Chapel. The bar will also be open and their books will be available to buy on the night.
More information about these incredible artists and tickets for the event are available through the links above and below.
£8 plus booking fee (advance tickets only)
Wednesday 18th December 2024 Doors @ 6:30
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Herd the Word
EVENT OF THE WEEK
W.C. 9TH DECEMBER
The Writers Workshop Narrative Modes and Dialogue Course
There are various in person and online courses and events on offer this week from one of Sheffield's best creative writing hubs but this Saturday's workshop promises an opportunity to delve deep into the techniques that bring stories to life - honing in on the notoriously challenging construction of dialogue. Book in advance as courses sell out.
Saturday 14th December 2024 @ 2:15
1ST DEC 2024
NON FICTION: HISTORICAL
Sheffield and Elephants: a curious connection
By Charlotte Sometimes
When you think of Sheffield, images of steel, snooker and stunning peaks might come to mind. But elephants? Surprisingly, this majestic animal has an enduring and quirky connection to the city. From its industrial heritage to its cultural landmarks, Sheffield has embraced the elephant in ways both unexpected and charming.
Sheffield’s industrial legacy is famously tied to steel, which requires strength and resilience—qualities often associated with elephants. During the 19th century, many of the city’s cutlery manufacturers adopted the elephant as a symbol of these traits , stamping it onto their products. The most notable example is the renowned Elephant Works factory, which became synonymous with Sheffield’s craftsmanship.
Public art across the city also often nods to its pachyderm connections. In 2016, Sheffield Children's Hospital Charity organised the 'Herd of Sheffield': a public art fundraising event where the city was stampeded by 40 iconic elephant sculptures on a trail. In 2022, Sheffield's "Banksy" artist Robin Loxley (@outlaw_robinloxley) created the subtle but powerful 'Nelly the Elephant and her Unnamed Baby' street art piece on the side of an abandoned building in Netherthorpe.
Sheffield’s connection to elephants even extends to football. The Sheffield Wednesday badge once featured an elephant perched atop a tree stump—a nod to the city’s civic coat of arms.
But Sheffield’s connection with elephants extends beyond symbolism. In the 19th century, Kelham Island was home to Lizzie the Elephant, a working ex-circus animal loaned to the city from during World War I. Lizzie helped haul heavy loads, replacing horses that had been sent to the frontlines. Her efforts earned her a place in local lore and a plaque on Lady's Bridge commemorates her extraordinary contribution.
So why the elephant? The connection may seem whimsical, but elephants have long been revered for their intelligence, memory, and power—qualities that resonate with Sheffield’s identity as a city of innovation, resilience and herd like community spirit. Whether through industrial emblems or local legends like Lizzie, the elephant is a fitting symbol for a city (and a new local online magazine) that always carries its weight…
Herd the Word: EVENT OF THE WEEK
W.C. 2ND DECEMBER
AfterMAth: Life after Hallam @ Post Hall Gallery
A talented local writers guild of six Sheffield Hallam MA graduates share readings from their new FLASH fiction compendium 'flash life'. This is sure to be an inspiring evening for aspiring writers.
4th December 2024 @ 6:30pm (FREE)